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	<title>Music Production Tips - The Stereo Bus Blog &#187; stereo</title>
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	<link>http://thestereobus.com</link>
	<description>Music production, pro audio and engineering tips &#38; secrets.</description>
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		<title>Mono Sources in a Stereo World &#8211; Michael Franti @ RNC</title>
		<link>http://thestereobus.com/2009/07/14/mono-sources-in-a-stereo-world-michael-franti-rnc/</link>
		<comments>http://thestereobus.com/2009/07/14/mono-sources-in-a-stereo-world-michael-franti-rnc/#comments</comments>
		<pubDate>Tue, 14 Jul 2009 22:04:21 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[advanced]]></category>
		<category><![CDATA[stereo image placement]]></category>
		<category><![CDATA[compression]]></category>
		<category><![CDATA[deesser]]></category>
		<category><![CDATA[fairchild]]></category>
		<category><![CDATA[IR-1]]></category>
		<category><![CDATA[massive passive]]></category>
		<category><![CDATA[michael franti]]></category>
		<category><![CDATA[mono]]></category>
		<category><![CDATA[reverb]]></category>
		<category><![CDATA[rnc]]></category>
		<category><![CDATA[stereo]]></category>
		<category><![CDATA[waves]]></category>

		<guid isPermaLink="false">http://thestereobus.com/?p=203</guid>
		<description><![CDATA[Recently I was hired to finesse a rather rough live recording of Michael Franti&#8216;s performance at the protest concert outside the Republican National Convention in 2008.  The recording was done with a pair of shotgun mics placed fairly close to each other. In fact, the recording was essentially mono &#8211; probably because of the mic [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>How to Create Depth in a Mix</title>
		<link>http://thestereobus.com/2008/03/06/how-to-create-depth-in-a-mix/</link>
		<comments>http://thestereobus.com/2008/03/06/how-to-create-depth-in-a-mix/#comments</comments>
		<pubDate>Thu, 06 Mar 2008 20:20:11 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[beginner]]></category>
		<category><![CDATA[creating depth]]></category>
		<category><![CDATA[bright]]></category>
		<category><![CDATA[cathedral]]></category>
		<category><![CDATA[dark]]></category>
		<category><![CDATA[delay]]></category>
		<category><![CDATA[depth]]></category>
		<category><![CDATA[dry]]></category>
		<category><![CDATA[equalization]]></category>
		<category><![CDATA[feedback]]></category>
		<category><![CDATA[hall]]></category>
		<category><![CDATA[resonance]]></category>
		<category><![CDATA[reverb]]></category>
		<category><![CDATA[reverberation]]></category>
		<category><![CDATA[Room]]></category>
		<category><![CDATA[special]]></category>
		<category><![CDATA[stereo]]></category>
		<category><![CDATA[wet]]></category>

		<guid isPermaLink="false">http://thestereobus.com/2008/03/06/how-to-create-depth-in-a-mix/</guid>
		<description><![CDATA[This post focuses on the topic of creating a sense of depth in mixes. It&#8217;s not too hard to make things sound big.  It&#8217;s not too hard to make things sound wide.  But it is very hard to do both while also creating a sense of depth.  There are a myriad of tools available to [...]]]></description>
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		<slash:comments>8</slash:comments>
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		<title>Monitoring Diversity for Better Mixes</title>
		<link>http://thestereobus.com/2008/02/25/monitoring-diversity-for-better-mixes/</link>
		<comments>http://thestereobus.com/2008/02/25/monitoring-diversity-for-better-mixes/#comments</comments>
		<pubDate>Mon, 25 Feb 2008 23:57:54 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[advanced]]></category>
		<category><![CDATA[monitoring]]></category>
		<category><![CDATA[big]]></category>
		<category><![CDATA[boombox]]></category>
		<category><![CDATA[car]]></category>
		<category><![CDATA[farfields]]></category>
		<category><![CDATA[knob]]></category>
		<category><![CDATA[mackie]]></category>
		<category><![CDATA[midfields]]></category>
		<category><![CDATA[monitors]]></category>
		<category><![CDATA[nearfields]]></category>
		<category><![CDATA[speakers]]></category>
		<category><![CDATA[stereo]]></category>
		<category><![CDATA[studio]]></category>

		<guid isPermaLink="false">http://thestereobus.com/2008/02/25/monitoring-diversity-for-better-mixes/</guid>
		<description><![CDATA[This post focuses on how monitoring with different kinds of speakers will help you achieve better mixes. One of the things that sets professional studios apart from hobbyist studios is their collection of monitors.  Most studios have at least a couple pairs of monitors, from nearfields to farfields.  Many have boomboxes and &#8216;hi-fi&#8217; stereos to [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Stereo Microphone Techniques &amp; Placement</title>
		<link>http://thestereobus.com/2008/01/18/stereo-microphone-techniques-placement/</link>
		<comments>http://thestereobus.com/2008/01/18/stereo-microphone-techniques-placement/#comments</comments>
		<pubDate>Fri, 18 Jan 2008 23:42:34 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[beginner]]></category>
		<category><![CDATA[stereo mic placement]]></category>
		<category><![CDATA[4003]]></category>
		<category><![CDATA[AB]]></category>
		<category><![CDATA[decca tree]]></category>
		<category><![CDATA[delay]]></category>
		<category><![CDATA[dpa]]></category>
		<category><![CDATA[m-50]]></category>
		<category><![CDATA[m/s]]></category>
		<category><![CDATA[mike placement]]></category>
		<category><![CDATA[neumann]]></category>
		<category><![CDATA[ortf]]></category>
		<category><![CDATA[phase]]></category>
		<category><![CDATA[spaced pair]]></category>
		<category><![CDATA[stereo]]></category>
		<category><![CDATA[stereo image]]></category>
		<category><![CDATA[stereo miking]]></category>
		<category><![CDATA[x/y]]></category>

		<guid isPermaLink="false">http://thestereobus.com/2008/01/18/stereo-microphone-techniques-placement/</guid>
		<description><![CDATA[This post focuses on the various &#8216;standard&#8217; ways to get a stereo image with microphones. A class-A stereo image is one of the holy grails of audio engineering. It&#8217;s easy to get a decent image, but to achieve a stereo image that condenses down to mono, sounds rich, and evenly captures the entire performance is [...]]]></description>
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		<slash:comments>2</slash:comments>
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