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	<title>Music Production Tips - The Stereo Bus Blog &#187; speakers</title>
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	<link>http://thestereobus.com</link>
	<description>Music production, pro audio and engineering tips &#38; secrets.</description>
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		<title>Speaker Placement: Nearfield Monitors</title>
		<link>http://thestereobus.com/2008/03/07/speaker-placement-nearfield-monitors/</link>
		<comments>http://thestereobus.com/2008/03/07/speaker-placement-nearfield-monitors/#comments</comments>
		<pubDate>Fri, 07 Mar 2008 13:30:02 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[Intermediate]]></category>
		<category><![CDATA[monitor placement]]></category>
		<category><![CDATA[acoustics]]></category>
		<category><![CDATA[geometry]]></category>
		<category><![CDATA[height]]></category>
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		<category><![CDATA[monitors]]></category>
		<category><![CDATA[nearfields]]></category>
		<category><![CDATA[parallel]]></category>
		<category><![CDATA[placement]]></category>
		<category><![CDATA[reflections]]></category>
		<category><![CDATA[Room]]></category>
		<category><![CDATA[speakers]]></category>
		<category><![CDATA[walls]]></category>
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		<guid isPermaLink="false">http://thestereobus.com/2008/03/07/speaker-placement-nearfield-monitors/</guid>
		<description><![CDATA[This post focuses on some of the basics of nearfield speaker placement, where and why and a little how. It used to be that studios had huge wall-mounted speakers that required equally large rooms to work properly.  Commercial studios are carefully acoustically tweaked.  I won&#8217;t go into acoustic treatments here, but needless to say a [...]]]></description>
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		<title>Monitoring Diversity for Better Mixes</title>
		<link>http://thestereobus.com/2008/02/25/monitoring-diversity-for-better-mixes/</link>
		<comments>http://thestereobus.com/2008/02/25/monitoring-diversity-for-better-mixes/#comments</comments>
		<pubDate>Mon, 25 Feb 2008 23:57:54 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[advanced]]></category>
		<category><![CDATA[monitoring]]></category>
		<category><![CDATA[big]]></category>
		<category><![CDATA[boombox]]></category>
		<category><![CDATA[car]]></category>
		<category><![CDATA[farfields]]></category>
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		<category><![CDATA[mackie]]></category>
		<category><![CDATA[midfields]]></category>
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		<description><![CDATA[This post focuses on how monitoring with different kinds of speakers will help you achieve better mixes. One of the things that sets professional studios apart from hobbyist studios is their collection of monitors.  Most studios have at least a couple pairs of monitors, from nearfields to farfields.  Many have boomboxes and &#8216;hi-fi&#8217; stereos to [...]]]></description>
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		<title>Multiamping Guitars: Getting the Sound Now or Later</title>
		<link>http://thestereobus.com/2008/01/13/multiamping-guitars-getting-the-sound-now-or-later/</link>
		<comments>http://thestereobus.com/2008/01/13/multiamping-guitars-getting-the-sound-now-or-later/#comments</comments>
		<pubDate>Sun, 13 Jan 2008 23:38:48 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[advanced]]></category>
		<category><![CDATA[multiamping & reamping guitars]]></category>
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		<category><![CDATA[blackface]]></category>
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		<category><![CDATA[di box]]></category>
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		<category><![CDATA[multiamping]]></category>
		<category><![CDATA[radial]]></category>
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		<category><![CDATA[speakers]]></category>
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		<guid isPermaLink="false">http://thestereobus.com/2008/01/13/multiamping-guitars-getting-the-sound-now-or-later/</guid>
		<description><![CDATA[This post focuses on capturing multiple guitar sounds, including unamplified, during tracking for more tonal flexibility during the mix. A unique guitar tone is one of those things that people are always willing to great lengths to achieve. Some of the most coveted tones have actually been blends of multiple amplifiers, certainly of multiple microphones. [...]]]></description>
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