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	<title>Music Production Tips - The Stereo Bus Blog &#187; Room</title>
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	<link>http://thestereobus.com</link>
	<description>Music production, pro audio and engineering tips &#38; secrets.</description>
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		<title>DIY Acoustic Panel Bass Traps: Treating Your Room Right</title>
		<link>http://thestereobus.com/2011/07/26/diy-acoustic-bass-traps-treating-your-room-right/</link>
		<comments>http://thestereobus.com/2011/07/26/diy-acoustic-bass-traps-treating-your-room-right/#comments</comments>
		<pubDate>Tue, 26 Jul 2011 07:25:21 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[Acoustics]]></category>
		<category><![CDATA[DIY]]></category>
		<category><![CDATA[703]]></category>
		<category><![CDATA[acoustics]]></category>
		<category><![CDATA[bass]]></category>
		<category><![CDATA[insulation]]></category>
		<category><![CDATA[owens corning]]></category>
		<category><![CDATA[panels]]></category>
		<category><![CDATA[resonance]]></category>
		<category><![CDATA[Room]]></category>
		<category><![CDATA[trap]]></category>
		<category><![CDATA[treatment]]></category>

		<guid isPermaLink="false">http://thestereobus.com/?p=268</guid>
		<description><![CDATA[Build super-effective DIY bass traps acoustic treatments for around $75 a panel.]]></description>
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		<title>Speaker Placement: Nearfield Monitors</title>
		<link>http://thestereobus.com/2008/03/07/speaker-placement-nearfield-monitors/</link>
		<comments>http://thestereobus.com/2008/03/07/speaker-placement-nearfield-monitors/#comments</comments>
		<pubDate>Fri, 07 Mar 2008 13:30:02 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[Nearfields]]></category>
		<category><![CDATA[acoustics]]></category>
		<category><![CDATA[geometry]]></category>
		<category><![CDATA[height]]></category>
		<category><![CDATA[length]]></category>
		<category><![CDATA[monitors]]></category>
		<category><![CDATA[nearfields]]></category>
		<category><![CDATA[parallel]]></category>
		<category><![CDATA[placement]]></category>
		<category><![CDATA[reflections]]></category>
		<category><![CDATA[Room]]></category>
		<category><![CDATA[speakers]]></category>
		<category><![CDATA[walls]]></category>
		<category><![CDATA[width]]></category>

		<guid isPermaLink="false">http://thestereobus.com/2008/03/07/speaker-placement-nearfield-monitors/</guid>
		<description><![CDATA[This post focuses on some of the basics of nearfield speaker placement, where and why and a little how. It used to be that studios had huge wall-mounted speakers that required equally large rooms to work properly.  Commercial studios are carefully acoustically tweaked.  I won&#8217;t go into acoustic treatments here, but needless to say a [...]]]></description>
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		<title>How to Create Depth in a Mix</title>
		<link>http://thestereobus.com/2008/03/06/how-to-create-depth-in-a-mix/</link>
		<comments>http://thestereobus.com/2008/03/06/how-to-create-depth-in-a-mix/#comments</comments>
		<pubDate>Thu, 06 Mar 2008 20:20:11 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[Mixing]]></category>
		<category><![CDATA[bright]]></category>
		<category><![CDATA[cathedral]]></category>
		<category><![CDATA[dark]]></category>
		<category><![CDATA[delay]]></category>
		<category><![CDATA[depth]]></category>
		<category><![CDATA[dry]]></category>
		<category><![CDATA[equalization]]></category>
		<category><![CDATA[featured]]></category>
		<category><![CDATA[feedback]]></category>
		<category><![CDATA[hall]]></category>
		<category><![CDATA[resonance]]></category>
		<category><![CDATA[reverb]]></category>
		<category><![CDATA[reverberation]]></category>
		<category><![CDATA[Room]]></category>
		<category><![CDATA[special]]></category>
		<category><![CDATA[stereo]]></category>
		<category><![CDATA[wet]]></category>

		<guid isPermaLink="false">http://thestereobus.com/2008/03/06/how-to-create-depth-in-a-mix/</guid>
		<description><![CDATA[This post focuses on the topic of creating a sense of depth in mixes. It&#8217;s not too hard to make things sound big.  It&#8217;s not too hard to make things sound wide.  But it is very hard to do both while also creating a sense of depth.  There are a myriad of tools available to [...]]]></description>
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		<slash:comments>10</slash:comments>
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		<title>Convolution: Untangling the Qualities of Sound</title>
		<link>http://thestereobus.com/2008/01/28/convolution-untangling-the-qualities-of-sound/</link>
		<comments>http://thestereobus.com/2008/01/28/convolution-untangling-the-qualities-of-sound/#comments</comments>
		<pubDate>Tue, 29 Jan 2008 03:01:36 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[Altiverb]]></category>
		<category><![CDATA[ambience]]></category>
		<category><![CDATA[compressor]]></category>
		<category><![CDATA[convolutiom]]></category>
		<category><![CDATA[deconvolution]]></category>
		<category><![CDATA[distortion]]></category>
		<category><![CDATA[echoes]]></category>
		<category><![CDATA[eq]]></category>
		<category><![CDATA[frequency response]]></category>
		<category><![CDATA[impulse responses]]></category>
		<category><![CDATA[IR-1]]></category>
		<category><![CDATA[Logic Pro]]></category>
		<category><![CDATA[pristine space]]></category>
		<category><![CDATA[reverb]]></category>
		<category><![CDATA[Room]]></category>
		<category><![CDATA[sir]]></category>
		<category><![CDATA[tone]]></category>
		<category><![CDATA[waves]]></category>

		<guid isPermaLink="false">http://thestereobus.com/2008/01/28/convolution-untangling-the-qualities-of-sound/</guid>
		<description><![CDATA[This post focuses on convolution as it applies to audio &#8211; the capturing and reapplication of the qualities of sound. A few years ago some new-fangled audio processing engines started to leak out of the lab and into the market involving a process called convolution. The name convolution comes from the type of math involved, [...]]]></description>
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		<title>Labeling Your Tracks: Ground Zero for Organization</title>
		<link>http://thestereobus.com/2008/01/19/labeling-your-tracks-the-first-line-of-organization/</link>
		<comments>http://thestereobus.com/2008/01/19/labeling-your-tracks-the-first-line-of-organization/#comments</comments>
		<pubDate>Sun, 20 Jan 2008 03:01:58 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[]]></category>
		<category><![CDATA[clav]]></category>
		<category><![CDATA[click]]></category>
		<category><![CDATA[doubling]]></category>
		<category><![CDATA[hi]]></category>
		<category><![CDATA[horn]]></category>
		<category><![CDATA[kick]]></category>
		<category><![CDATA[labeling tracks]]></category>
		<category><![CDATA[lo]]></category>
		<category><![CDATA[microphone abreviations]]></category>
		<category><![CDATA[mics]]></category>
		<category><![CDATA[naming conventions]]></category>
		<category><![CDATA[OH]]></category>
		<category><![CDATA[Room]]></category>
		<category><![CDATA[sax]]></category>
		<category><![CDATA[spot]]></category>
		<category><![CDATA[toms]]></category>
		<category><![CDATA[wurly]]></category>

		<guid isPermaLink="false">http://thestereobus.com/2008/01/19/labeling-your-tracks-the-first-line-of-organization/</guid>
		<description><![CDATA[This post is focused on the simple, neglected, and powerful practice of labeling tracks in a session. This post may seem like something entirely obvious that should remain unspoken&#8230; but it isn&#8217;t. You would be surprised how often I have seen session tracks titled &#8220;New Track&#8221; and audio files named &#8220;Untitled1.wav&#8221;. The first step to [...]]]></description>
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