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	<title>Music Production Tips - The Stereo Bus Blog &#187; resonance</title>
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	<link>http://thestereobus.com</link>
	<description>Music production, pro audio and engineering tips &#38; secrets.</description>
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		<title>How to Add a Subwoofer to Your Monitor System</title>
		<link>http://thestereobus.com/2009/02/07/how-to-add-a-subwoofer-to-your-monitor-system/</link>
		<comments>http://thestereobus.com/2009/02/07/how-to-add-a-subwoofer-to-your-monitor-system/#comments</comments>
		<pubDate>Sat, 07 Feb 2009 19:56:02 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[Intermediate]]></category>
		<category><![CDATA[monitoring]]></category>
		<category><![CDATA[subwoofer]]></category>
		<category><![CDATA[cross-over]]></category>
		<category><![CDATA[frequency]]></category>
		<category><![CDATA[headroom]]></category>
		<category><![CDATA[monitors]]></category>
		<category><![CDATA[phase]]></category>
		<category><![CDATA[resonance]]></category>

		<guid isPermaLink="false">http://thestereobus.com/?p=138</guid>
		<description><![CDATA[So you want to add a subwoofer to your monitor setup? Studio subwoofers can be tricky things that require a little bit of audio soul searching, auditioning, and planning to pull off well. But, a well integrated sub can make a world of difference in the right circumstances. I, for example, just added a Mackie [...]]]></description>
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		<slash:comments>6</slash:comments>
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		<title>How to Create Depth in a Mix</title>
		<link>http://thestereobus.com/2008/03/06/how-to-create-depth-in-a-mix/</link>
		<comments>http://thestereobus.com/2008/03/06/how-to-create-depth-in-a-mix/#comments</comments>
		<pubDate>Thu, 06 Mar 2008 20:20:11 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[beginner]]></category>
		<category><![CDATA[creating depth]]></category>
		<category><![CDATA[bright]]></category>
		<category><![CDATA[cathedral]]></category>
		<category><![CDATA[dark]]></category>
		<category><![CDATA[delay]]></category>
		<category><![CDATA[depth]]></category>
		<category><![CDATA[dry]]></category>
		<category><![CDATA[equalization]]></category>
		<category><![CDATA[feedback]]></category>
		<category><![CDATA[hall]]></category>
		<category><![CDATA[resonance]]></category>
		<category><![CDATA[reverb]]></category>
		<category><![CDATA[reverberation]]></category>
		<category><![CDATA[Room]]></category>
		<category><![CDATA[special]]></category>
		<category><![CDATA[stereo]]></category>
		<category><![CDATA[wet]]></category>

		<guid isPermaLink="false">http://thestereobus.com/2008/03/06/how-to-create-depth-in-a-mix/</guid>
		<description><![CDATA[This post focuses on the topic of creating a sense of depth in mixes. It&#8217;s not too hard to make things sound big.  It&#8217;s not too hard to make things sound wide.  But it is very hard to do both while also creating a sense of depth.  There are a myriad of tools available to [...]]]></description>
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		<slash:comments>8</slash:comments>
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		<title>How to Record Piano</title>
		<link>http://thestereobus.com/2008/02/22/how-to-record-a-piano/</link>
		<comments>http://thestereobus.com/2008/02/22/how-to-record-a-piano/#comments</comments>
		<pubDate>Sat, 23 Feb 2008 05:20:56 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[beginner]]></category>
		<category><![CDATA[recording piano]]></category>
		<category><![CDATA[4038]]></category>
		<category><![CDATA[414]]></category>
		<category><![CDATA[akg]]></category>
		<category><![CDATA[c12]]></category>
		<category><![CDATA[c24]]></category>
		<category><![CDATA[cardiod]]></category>
		<category><![CDATA[coles]]></category>
		<category><![CDATA[grand]]></category>
		<category><![CDATA[hammers]]></category>
		<category><![CDATA[kickboard]]></category>
		<category><![CDATA[lid]]></category>
		<category><![CDATA[neumann]]></category>
		<category><![CDATA[piano]]></category>
		<category><![CDATA[resonance]]></category>
		<category><![CDATA[soundboard]]></category>
		<category><![CDATA[stereo pair]]></category>
		<category><![CDATA[u87]]></category>
		<category><![CDATA[upright]]></category>

		<guid isPermaLink="false">http://thestereobus.com/2008/02/22/how-to-record-a-piano/</guid>
		<description><![CDATA[This post is a continuation of my instrument series and describes the standard variations of recording piano, both grand and upright styles. Ahhh piano.  One of the quintessential instruments that almost everyone knows the sound of.  Like the snare drum that I featured in my last how-to, the piano is a complex instrument with many [...]]]></description>
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		<slash:comments>1</slash:comments>
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		<title>Ring Modulating (or Vocoding) to Produce Artificial Chords</title>
		<link>http://thestereobus.com/2008/02/18/ring-modulating-or-vocoding-to-produce-artificial-chords/</link>
		<comments>http://thestereobus.com/2008/02/18/ring-modulating-or-vocoding-to-produce-artificial-chords/#comments</comments>
		<pubDate>Tue, 19 Feb 2008 01:57:17 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[advanced]]></category>
		<category><![CDATA[modulation]]></category>
		<category><![CDATA[antares autotune]]></category>
		<category><![CDATA[artificial chords]]></category>
		<category><![CDATA[chord]]></category>
		<category><![CDATA[effect]]></category>
		<category><![CDATA[morphoder]]></category>
		<category><![CDATA[resonance]]></category>
		<category><![CDATA[resonator]]></category>
		<category><![CDATA[ring modulator]]></category>
		<category><![CDATA[vocoder]]></category>
		<category><![CDATA[waves]]></category>

		<guid isPermaLink="false">http://thestereobus.com/2008/02/18/ring-modulating-or-vocoding-to-produce-artificial-chords/</guid>
		<description><![CDATA[This post focuses on using ring modulators, vocoders, or other tone resonating devices to produce artificial chords. Creating unique sounds is a constant challenge.  Sometimes things just sound too &#8216;plain&#8217; and you need to pull something totally off-the-wall out of your hat.  In these situations, it can be really interesting to grab resonating devices such [...]]]></description>
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