<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Music Production Tips - The Stereo Bus Blog &#187; Pro Tools</title>
	<atom:link href="http://thestereobus.com/tag/pro-tools/feed/" rel="self" type="application/rss+xml" />
	<link>http://thestereobus.com</link>
	<description>Music production, pro audio and engineering tips &#38; secrets.</description>
	<lastBuildDate>Tue, 26 Jan 2010 19:41:53 +0000</lastBuildDate>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.0</generator>
		<item>
		<title>How to Group Tracks to Save DAW CPU</title>
		<link>http://thestereobus.com/2008/03/08/how-to-group-tracks-to-save-daw-cpu/</link>
		<comments>http://thestereobus.com/2008/03/08/how-to-group-tracks-to-save-daw-cpu/#comments</comments>
		<pubDate>Sat, 08 Mar 2008 13:30:56 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[beginner]]></category>
		<category><![CDATA[grouping tracks]]></category>
		<category><![CDATA[blend]]></category>
		<category><![CDATA[compression]]></category>
		<category><![CDATA[CPU]]></category>
		<category><![CDATA[daw]]></category>
		<category><![CDATA[dsp]]></category>
		<category><![CDATA[eq]]></category>
		<category><![CDATA[glue]]></category>
		<category><![CDATA[group]]></category>
		<category><![CDATA[Pro Tools]]></category>
		<category><![CDATA[processor]]></category>
		<category><![CDATA[tracks]]></category>
		<category><![CDATA[vocal]]></category>

		<guid isPermaLink="false">http://thestereobus.com/2008/03/08/how-to-group-tracks-to-save-daw-cpu/</guid>
		<description><![CDATA[This post focuses on how to group tracks to save CPU or DSP processing. When I first started mixing using a computer, I would throw up inserts on everything.  Everything was processed independently.  As you might imagine, my mixes were insanely CPU intensive and hard to manage.  Soon I realized that many of the tracks [...]]]></description>
		<wfw:commentRss>http://thestereobus.com/2008/03/08/how-to-group-tracks-to-save-daw-cpu/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>The Art of Comping: Creating Master Performances</title>
		<link>http://thestereobus.com/2008/02/23/the-art-of-comping-creating-master-performances/</link>
		<comments>http://thestereobus.com/2008/02/23/the-art-of-comping-creating-master-performances/#comments</comments>
		<pubDate>Sat, 23 Feb 2008 18:17:13 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[advanced]]></category>
		<category><![CDATA[comping]]></category>
		<category><![CDATA[composite]]></category>
		<category><![CDATA[crossfades]]></category>
		<category><![CDATA[Cubase]]></category>
		<category><![CDATA[edits]]></category>
		<category><![CDATA[performances]]></category>
		<category><![CDATA[Pro Tools]]></category>
		<category><![CDATA[RnB]]></category>
		<category><![CDATA[rock]]></category>
		<category><![CDATA[splicing]]></category>
		<category><![CDATA[tracks]]></category>
		<category><![CDATA[vocals]]></category>

		<guid isPermaLink="false">http://thestereobus.com/2008/02/23/the-art-of-comping-creating-master-performances/</guid>
		<description><![CDATA[This post focuses on the technique of comping, or creating a composite performance from various elements of multiple performances. It used to be that in order to get a recording of a performance the performers had to run straight through the material.  But ever since the invention of overdubbing people have been changing the way [...]]]></description>
		<wfw:commentRss>http://thestereobus.com/2008/02/23/the-art-of-comping-creating-master-performances/feed/</wfw:commentRss>
		<slash:comments>6</slash:comments>
		</item>
		<item>
		<title>Roll Your Own Multitrack Drum Sample Kit</title>
		<link>http://thestereobus.com/2007/12/08/role-your-own-multitrack-drum-sample-kit/</link>
		<comments>http://thestereobus.com/2007/12/08/role-your-own-multitrack-drum-sample-kit/#comments</comments>
		<pubDate>Sun, 09 Dec 2007 05:59:42 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[advanced]]></category>
		<category><![CDATA[samples]]></category>
		<category><![CDATA[auxes]]></category>
		<category><![CDATA[Battery]]></category>
		<category><![CDATA[BFD]]></category>
		<category><![CDATA[Cubase]]></category>
		<category><![CDATA[groups]]></category>
		<category><![CDATA[multitrack drums]]></category>
		<category><![CDATA[Pro Tools]]></category>
		<category><![CDATA[virtual overheads]]></category>
		<category><![CDATA[virtual room]]></category>

		<guid isPermaLink="false">http://thestereobus.com/2007/12/08/role-your-own-multitrack-drum-sample-kit/</guid>
		<description><![CDATA[This post describes how to create your own multitrack drum kits by creating and layering samples from existing multitrack drum recordings. Despite the samples being sequenced, you’ll end up with separate, mixable tracks for each mic just like you would have from a live drum performance. &#160; Samples are a reality of modern music production. [...]]]></description>
		<wfw:commentRss>http://thestereobus.com/2007/12/08/role-your-own-multitrack-drum-sample-kit/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
	</channel>
</rss>
