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	<title>Music Production Tips - The Stereo Bus Blog &#187; phase</title>
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	<link>http://thestereobus.com</link>
	<description>Music production, pro audio and engineering tips &#38; secrets.</description>
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		<title>How to Add a Subwoofer to Your Monitor System</title>
		<link>http://thestereobus.com/2009/02/07/how-to-add-a-subwoofer-to-your-monitor-system/</link>
		<comments>http://thestereobus.com/2009/02/07/how-to-add-a-subwoofer-to-your-monitor-system/#comments</comments>
		<pubDate>Sat, 07 Feb 2009 19:56:02 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[Intermediate]]></category>
		<category><![CDATA[monitoring]]></category>
		<category><![CDATA[subwoofer]]></category>
		<category><![CDATA[cross-over]]></category>
		<category><![CDATA[frequency]]></category>
		<category><![CDATA[headroom]]></category>
		<category><![CDATA[monitors]]></category>
		<category><![CDATA[phase]]></category>
		<category><![CDATA[resonance]]></category>

		<guid isPermaLink="false">http://thestereobus.com/?p=138</guid>
		<description><![CDATA[So you want to add a subwoofer to your monitor setup? Studio subwoofers can be tricky things that require a little bit of audio soul searching, auditioning, and planning to pull off well. But, a well integrated sub can make a world of difference in the right circumstances. I, for example, just added a Mackie [...]]]></description>
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		<slash:comments>6</slash:comments>
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		<title>How to Use Visual Audio Analyzers and Scopes</title>
		<link>http://thestereobus.com/2008/03/04/how-to-use-visual-audio-analyzers-and-scopes/</link>
		<comments>http://thestereobus.com/2008/03/04/how-to-use-visual-audio-analyzers-and-scopes/#comments</comments>
		<pubDate>Tue, 04 Mar 2008 19:01:17 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[advanced]]></category>
		<category><![CDATA[visual analyzers]]></category>
		<category><![CDATA[analyzers]]></category>
		<category><![CDATA[curve]]></category>
		<category><![CDATA[frequency]]></category>
		<category><![CDATA[phase]]></category>
		<category><![CDATA[range]]></category>
		<category><![CDATA[response]]></category>
		<category><![CDATA[visual]]></category>

		<guid isPermaLink="false">http://thestereobus.com/2008/03/04/how-to-use-visual-audio-analyzers-and-scopes/</guid>
		<description><![CDATA[This post focuses on ways to use visual audio scopes to gain more understanding about what&#8217;s going on in your audio. It&#8217;s important to state right off the bat that working with audio should primarily be an auditory experience.  In general people won&#8217;t be looking at visual representations of audio as much as they will [...]]]></description>
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		<slash:comments>4</slash:comments>
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		<title>EQ Crash Course</title>
		<link>http://thestereobus.com/2008/02/05/eq-crash-course/</link>
		<comments>http://thestereobus.com/2008/02/05/eq-crash-course/#comments</comments>
		<pubDate>Wed, 06 Feb 2008 05:21:38 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[beginner]]></category>
		<category><![CDATA[equalization]]></category>
		<category><![CDATA[1064]]></category>
		<category><![CDATA[550b]]></category>
		<category><![CDATA[560]]></category>
		<category><![CDATA[air]]></category>
		<category><![CDATA[api]]></category>
		<category><![CDATA[boost]]></category>
		<category><![CDATA[cut]]></category>
		<category><![CDATA[eq]]></category>
		<category><![CDATA[equalizer]]></category>
		<category><![CDATA[fizz]]></category>
		<category><![CDATA[frequency]]></category>
		<category><![CDATA[graphic]]></category>
		<category><![CDATA[honky]]></category>
		<category><![CDATA[linear phase eq]]></category>
		<category><![CDATA[mastering]]></category>
		<category><![CDATA[neve]]></category>
		<category><![CDATA[parametric]]></category>
		<category><![CDATA[phase]]></category>
		<category><![CDATA[presence]]></category>
		<category><![CDATA[Q]]></category>
		<category><![CDATA[renaissance eq]]></category>
		<category><![CDATA[sparkle]]></category>
		<category><![CDATA[ssl]]></category>
		<category><![CDATA[waves]]></category>

		<guid isPermaLink="false">http://thestereobus.com/2008/02/05/eq-crash-course/</guid>
		<description><![CDATA[This post focuses on the basics of equalization. Equalization is something that most people are probably pretty familiar with on a basic level, having some EQ capacity in their car stereos and portable players.  Essentially, EQ is cutting or boosting of frequencies or frequency ranges. There are fundamentally two kinds of equalization: graphic and parametric.  [...]]]></description>
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		<slash:comments>2</slash:comments>
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		<title>Balanced vs. Unbalanced: Prepared for Rejection</title>
		<link>http://thestereobus.com/2008/01/23/balanced-vs-unbalanced-what-does-it-mean/</link>
		<comments>http://thestereobus.com/2008/01/23/balanced-vs-unbalanced-what-does-it-mean/#comments</comments>
		<pubDate>Thu, 24 Jan 2008 04:23:06 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[balanced vs. unbalanced]]></category>
		<category><![CDATA[beginner]]></category>
		<category><![CDATA[+4db]]></category>
		<category><![CDATA[-10db]]></category>
		<category><![CDATA[balanced]]></category>
		<category><![CDATA[cable]]></category>
		<category><![CDATA[conductors]]></category>
		<category><![CDATA[line level]]></category>
		<category><![CDATA[noise]]></category>
		<category><![CDATA[phase]]></category>
		<category><![CDATA[runs]]></category>
		<category><![CDATA[signal-to-noise]]></category>
		<category><![CDATA[transformer]]></category>
		<category><![CDATA[unbalanced]]></category>

		<guid isPermaLink="false">http://thestereobus.com/2008/01/24/balanced-vs-unbalanced-what-does-it-mean/</guid>
		<description><![CDATA[This post focuses on the differences between balanced and unbalanced connections. When I first started engineering my high school band, I didn&#8217;t know what the difference between balanced and unbalanced connections was. I used guitar cables to link up all of 1/4&#8243; gear and routinely used impedance transformers to convert between XLR to 1/4&#8243; unbalanced. [...]]]></description>
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		<slash:comments>6</slash:comments>
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		<item>
		<title>Stereo Microphone Techniques &amp; Placement</title>
		<link>http://thestereobus.com/2008/01/18/stereo-microphone-techniques-placement/</link>
		<comments>http://thestereobus.com/2008/01/18/stereo-microphone-techniques-placement/#comments</comments>
		<pubDate>Fri, 18 Jan 2008 23:42:34 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[beginner]]></category>
		<category><![CDATA[stereo mic placement]]></category>
		<category><![CDATA[4003]]></category>
		<category><![CDATA[AB]]></category>
		<category><![CDATA[decca tree]]></category>
		<category><![CDATA[delay]]></category>
		<category><![CDATA[dpa]]></category>
		<category><![CDATA[m-50]]></category>
		<category><![CDATA[m/s]]></category>
		<category><![CDATA[mike placement]]></category>
		<category><![CDATA[neumann]]></category>
		<category><![CDATA[ortf]]></category>
		<category><![CDATA[phase]]></category>
		<category><![CDATA[spaced pair]]></category>
		<category><![CDATA[stereo]]></category>
		<category><![CDATA[stereo image]]></category>
		<category><![CDATA[stereo miking]]></category>
		<category><![CDATA[x/y]]></category>

		<guid isPermaLink="false">http://thestereobus.com/2008/01/18/stereo-microphone-techniques-placement/</guid>
		<description><![CDATA[This post focuses on the various &#8216;standard&#8217; ways to get a stereo image with microphones. A class-A stereo image is one of the holy grails of audio engineering. It&#8217;s easy to get a decent image, but to achieve a stereo image that condenses down to mono, sounds rich, and evenly captures the entire performance is [...]]]></description>
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		<slash:comments>2</slash:comments>
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