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	<title>Music Production Tips - The Stereo Bus Blog &#187; motif</title>
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	<link>http://thestereobus.com</link>
	<description>Music production, pro audio and engineering tips &#38; secrets.</description>
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		<title>Sampling: Legally Ambiguous Like Whoa</title>
		<link>http://thestereobus.com/2008/02/14/sampling-legally-ambiguous-like-whoa/</link>
		<comments>http://thestereobus.com/2008/02/14/sampling-legally-ambiguous-like-whoa/#comments</comments>
		<pubDate>Fri, 15 Feb 2008 04:45:20 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[Licensing]]></category>
		<category><![CDATA[Music Business]]></category>
		<category><![CDATA[Sampling]]></category>
		<category><![CDATA[legal]]></category>
		<category><![CDATA[licensing]]></category>
		<category><![CDATA[motif]]></category>
		<category><![CDATA[recognizability]]></category>
		<category><![CDATA[samples]]></category>
		<category><![CDATA[sampling]]></category>

		<guid isPermaLink="false">http://thestereobus.com/2008/02/14/sampling-legally-ambiguous-like-whoa/</guid>
		<description><![CDATA[This post focuses on the practice of sampling and its legal ramifications. Sampling has, for years, been a routine practice in the music industry.  Sampling is taking a part of an already recorded musical composition and repurposing it in a new composition.  It used to be that people would simply sample freely, release the material, [...]]]></description>
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		<slash:comments>2</slash:comments>
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		<title>The Anatomy of a Song</title>
		<link>http://thestereobus.com/2008/02/04/the-anatomy-of-a-song/</link>
		<comments>http://thestereobus.com/2008/02/04/the-anatomy-of-a-song/#comments</comments>
		<pubDate>Tue, 05 Feb 2008 03:54:37 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[arrangement]]></category>
		<category><![CDATA[bridge]]></category>
		<category><![CDATA[chorus]]></category>
		<category><![CDATA[components]]></category>
		<category><![CDATA[composition]]></category>
		<category><![CDATA[intro]]></category>
		<category><![CDATA[motif]]></category>
		<category><![CDATA[outro]]></category>
		<category><![CDATA[prechorus]]></category>
		<category><![CDATA[song]]></category>
		<category><![CDATA[verse]]></category>

		<guid isPermaLink="false">http://thestereobus.com/2008/02/04/the-anatomy-of-a-song/</guid>
		<description><![CDATA[This post focuses on the various parts of a song and many typical ways in which they are arranged. Over time several tendencies in songwriting have emerged as far as the arrangement of music is concerned. It all comes largely from classical music, which often is composed with attention to variations in musical &#8216;motifs&#8217;. The [...]]]></description>
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		<title>SysEx and MIDI Automation: Don&#8217;t Forget That Preset</title>
		<link>http://thestereobus.com/2008/01/17/sysex-and-midi-automation-dont-forget-that-preset/</link>
		<comments>http://thestereobus.com/2008/01/17/sysex-and-midi-automation-dont-forget-that-preset/#comments</comments>
		<pubDate>Fri, 18 Jan 2008 01:47:39 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[automation]]></category>
		<category><![CDATA[digital mixers]]></category>
		<category><![CDATA[dump]]></category>
		<category><![CDATA[gain]]></category>
		<category><![CDATA[line6]]></category>
		<category><![CDATA[MIDI]]></category>
		<category><![CDATA[modelers]]></category>
		<category><![CDATA[motif]]></category>
		<category><![CDATA[podxt]]></category>
		<category><![CDATA[presets]]></category>
		<category><![CDATA[reverb]]></category>
		<category><![CDATA[synths]]></category>
		<category><![CDATA[sysex]]></category>
		<category><![CDATA[volume]]></category>
		<category><![CDATA[yamaha]]></category>

		<guid isPermaLink="false">http://thestereobus.com/2008/01/17/sysex-and-midi-automation-dont-forget-that-preset/</guid>
		<description><![CDATA[The focus of this post is on capturing SysEx information from external MIDI devices in order to have a record of your presets right in your session or automate the settings throughout the track. It happens to producers time and time again: you&#8217;ve created an awesome synth sound or guitar tone, you&#8217;ve recorded the midi [...]]]></description>
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