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	<title>Music Production Tips - The Stereo Bus Blog &#187; mics</title>
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	<description>Music production, pro audio and engineering tips &#38; secrets.</description>
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		<title>Vocals: Finding the Golden Signal Path</title>
		<link>http://thestereobus.com/2008/03/01/vocals-finding-the-golden-signal-path/</link>
		<comments>http://thestereobus.com/2008/03/01/vocals-finding-the-golden-signal-path/#comments</comments>
		<pubDate>Sun, 02 Mar 2008 02:09:14 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[blind test]]></category>
		<category><![CDATA[compression]]></category>
		<category><![CDATA[eq]]></category>
		<category><![CDATA[gain]]></category>
		<category><![CDATA[microphones]]></category>
		<category><![CDATA[mics]]></category>
		<category><![CDATA[preamps]]></category>
		<category><![CDATA[sm58]]></category>
		<category><![CDATA[solid state]]></category>
		<category><![CDATA[transformerless]]></category>
		<category><![CDATA[tube]]></category>
		<category><![CDATA[vocals]]></category>

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		<description><![CDATA[This post focuses on the process of getting the vocal chain right for the given performer. The signal chain for vocals is probably one of the most important production choices in pop music.  Of course, it helps to have a healthy selection of devices to choose from.  Every voice has unique qualities, some of which [...]]]></description>
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		<title>Tracking a Band in a Single Room&#8230;</title>
		<link>http://thestereobus.com/2008/02/16/tracking-a-band-in-a-single-room/</link>
		<comments>http://thestereobus.com/2008/02/16/tracking-a-band-in-a-single-room/#comments</comments>
		<pubDate>Sun, 17 Feb 2008 05:46:12 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[Tracking]]></category>
		<category><![CDATA[57]]></category>
		<category><![CDATA[58]]></category>
		<category><![CDATA[baffling]]></category>
		<category><![CDATA[bass]]></category>
		<category><![CDATA[bleed]]></category>
		<category><![CDATA[blend]]></category>
		<category><![CDATA[compression]]></category>
		<category><![CDATA[DI]]></category>
		<category><![CDATA[drums]]></category>
		<category><![CDATA[dynamic]]></category>
		<category><![CDATA[eq]]></category>
		<category><![CDATA[guitars]]></category>
		<category><![CDATA[hypercardiod]]></category>
		<category><![CDATA[isocabs]]></category>
		<category><![CDATA[isolation]]></category>
		<category><![CDATA[mics]]></category>
		<category><![CDATA[moving blankets]]></category>
		<category><![CDATA[overheads]]></category>

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		<description><![CDATA[This post focuses on the classic challenge of how to record a band in a single room and not have it sound completely awful. Lots of us have small production studios and tons of bands have single room practice spaces.  Inevitably the question arises: &#8220;How can I record the band live in a single room [...]]]></description>
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		<title>Labeling Your Tracks: Ground Zero for Organization</title>
		<link>http://thestereobus.com/2008/01/19/labeling-your-tracks-the-first-line-of-organization/</link>
		<comments>http://thestereobus.com/2008/01/19/labeling-your-tracks-the-first-line-of-organization/#comments</comments>
		<pubDate>Sun, 20 Jan 2008 03:01:58 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[]]></category>
		<category><![CDATA[clav]]></category>
		<category><![CDATA[click]]></category>
		<category><![CDATA[doubling]]></category>
		<category><![CDATA[hi]]></category>
		<category><![CDATA[horn]]></category>
		<category><![CDATA[kick]]></category>
		<category><![CDATA[labeling tracks]]></category>
		<category><![CDATA[lo]]></category>
		<category><![CDATA[microphone abreviations]]></category>
		<category><![CDATA[mics]]></category>
		<category><![CDATA[naming conventions]]></category>
		<category><![CDATA[OH]]></category>
		<category><![CDATA[Room]]></category>
		<category><![CDATA[sax]]></category>
		<category><![CDATA[spot]]></category>
		<category><![CDATA[toms]]></category>
		<category><![CDATA[wurly]]></category>

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		<description><![CDATA[This post is focused on the simple, neglected, and powerful practice of labeling tracks in a session. This post may seem like something entirely obvious that should remain unspoken&#8230; but it isn&#8217;t. You would be surprised how often I have seen session tracks titled &#8220;New Track&#8221; and audio files named &#8220;Untitled1.wav&#8221;. The first step to [...]]]></description>
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