<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Music Production Tips - The Stereo Bus Blog &#187; frequency</title>
	<atom:link href="http://thestereobus.com/tag/frequency/feed/" rel="self" type="application/rss+xml" />
	<link>http://thestereobus.com</link>
	<description>Music production, pro audio and engineering tips &#38; secrets.</description>
	<lastBuildDate>Mon, 30 Apr 2012 05:04:22 +0000</lastBuildDate>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.3.2</generator>
		<item>
		<title>How to Add a Subwoofer to Your Monitor System</title>
		<link>http://thestereobus.com/2009/02/07/how-to-add-a-subwoofer-to-your-monitor-system/</link>
		<comments>http://thestereobus.com/2009/02/07/how-to-add-a-subwoofer-to-your-monitor-system/#comments</comments>
		<pubDate>Sat, 07 Feb 2009 19:56:02 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[Speakers]]></category>
		<category><![CDATA[Subwoofers]]></category>
		<category><![CDATA[cross-over]]></category>
		<category><![CDATA[featured]]></category>
		<category><![CDATA[frequency]]></category>
		<category><![CDATA[headroom]]></category>
		<category><![CDATA[monitors]]></category>
		<category><![CDATA[phase]]></category>
		<category><![CDATA[resonance]]></category>
		<category><![CDATA[subwoofer]]></category>

		<guid isPermaLink="false">http://thestereobus.com/?p=138</guid>
		<description><![CDATA[So you want to add a subwoofer to your monitor setup? Studio subwoofers can be tricky things that require a little bit of audio soul searching, auditioning, and planning to pull off well. But, a well integrated sub can make a world of difference in the right circumstances. I, for example, just added a Mackie [...]]]></description>
		<wfw:commentRss>http://thestereobus.com/2009/02/07/how-to-add-a-subwoofer-to-your-monitor-system/feed/</wfw:commentRss>
		<slash:comments>8</slash:comments>
		</item>
		<item>
		<title>How to Use Visual Audio Analyzers and Scopes</title>
		<link>http://thestereobus.com/2008/03/04/how-to-use-visual-audio-analyzers-and-scopes/</link>
		<comments>http://thestereobus.com/2008/03/04/how-to-use-visual-audio-analyzers-and-scopes/#comments</comments>
		<pubDate>Tue, 04 Mar 2008 19:01:17 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[Plugins]]></category>
		<category><![CDATA[Visualization]]></category>
		<category><![CDATA[analyzers]]></category>
		<category><![CDATA[curve]]></category>
		<category><![CDATA[frequency]]></category>
		<category><![CDATA[phase]]></category>
		<category><![CDATA[range]]></category>
		<category><![CDATA[response]]></category>
		<category><![CDATA[visual]]></category>

		<guid isPermaLink="false">http://thestereobus.com/2008/03/04/how-to-use-visual-audio-analyzers-and-scopes/</guid>
		<description><![CDATA[This post focuses on ways to use visual audio scopes to gain more understanding about what&#8217;s going on in your audio. It&#8217;s important to state right off the bat that working with audio should primarily be an auditory experience.  In general people won&#8217;t be looking at visual representations of audio as much as they will [...]]]></description>
		<wfw:commentRss>http://thestereobus.com/2008/03/04/how-to-use-visual-audio-analyzers-and-scopes/feed/</wfw:commentRss>
		<slash:comments>5</slash:comments>
		</item>
		<item>
		<title>EQ Crash Course</title>
		<link>http://thestereobus.com/2008/02/05/eq-crash-course/</link>
		<comments>http://thestereobus.com/2008/02/05/eq-crash-course/#comments</comments>
		<pubDate>Wed, 06 Feb 2008 05:21:38 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[1064]]></category>
		<category><![CDATA[550b]]></category>
		<category><![CDATA[560]]></category>
		<category><![CDATA[air]]></category>
		<category><![CDATA[api]]></category>
		<category><![CDATA[boost]]></category>
		<category><![CDATA[cut]]></category>
		<category><![CDATA[eq]]></category>
		<category><![CDATA[equalization]]></category>
		<category><![CDATA[equalizer]]></category>
		<category><![CDATA[fizz]]></category>
		<category><![CDATA[frequency]]></category>
		<category><![CDATA[graphic]]></category>
		<category><![CDATA[honky]]></category>
		<category><![CDATA[linear phase eq]]></category>
		<category><![CDATA[mastering]]></category>
		<category><![CDATA[neve]]></category>
		<category><![CDATA[parametric]]></category>
		<category><![CDATA[phase]]></category>
		<category><![CDATA[presence]]></category>
		<category><![CDATA[Q]]></category>
		<category><![CDATA[renaissance eq]]></category>
		<category><![CDATA[sparkle]]></category>
		<category><![CDATA[ssl]]></category>
		<category><![CDATA[waves]]></category>

		<guid isPermaLink="false">http://thestereobus.com/2008/02/05/eq-crash-course/</guid>
		<description><![CDATA[This post focuses on the basics of equalization. Equalization is something that most people are probably pretty familiar with on a basic level, having some EQ capacity in their car stereos and portable players.  Essentially, EQ is cutting or boosting of frequencies or frequency ranges. There are fundamentally two kinds of equalization: graphic and parametric.  [...]]]></description>
		<wfw:commentRss>http://thestereobus.com/2008/02/05/eq-crash-course/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Sample Rate and Bitrate: The Guts of Digital Audio</title>
		<link>http://thestereobus.com/2008/01/12/sample-rate-and-bitrate-the-guts-of-digital-audio/</link>
		<comments>http://thestereobus.com/2008/01/12/sample-rate-and-bitrate-the-guts-of-digital-audio/#comments</comments>
		<pubDate>Sun, 13 Jan 2008 02:51:11 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[bitrate]]></category>
		<category><![CDATA[digital audio]]></category>
		<category><![CDATA[dithering]]></category>
		<category><![CDATA[frequency]]></category>
		<category><![CDATA[hertz]]></category>
		<category><![CDATA[kilohertz]]></category>
		<category><![CDATA[megabytes]]></category>
		<category><![CDATA[quantization]]></category>
		<category><![CDATA[resolution]]></category>
		<category><![CDATA[samplerate]]></category>
		<category><![CDATA[samples]]></category>
		<category><![CDATA[ticks]]></category>
		<category><![CDATA[volume]]></category>

		<guid isPermaLink="false">http://thestereobus.com/2008/01/12/sample-rate-and-bitrate-the-guts-of-digital-audio/</guid>
		<description><![CDATA[This post focuses on the basics of digital audio: sample rate, bitrate, and how analog signals are represented digitally. We use digital audio all the time, but I am surprised on a fairly regular basis how many people are unclear about how digital audio works. Digital audio has two primary qualities that compose the way [...]]]></description>
		<wfw:commentRss>http://thestereobus.com/2008/01/12/sample-rate-and-bitrate-the-guts-of-digital-audio/feed/</wfw:commentRss>
		<slash:comments>7</slash:comments>
		</item>
	</channel>
</rss>
<!-- This Quick Cache file was built for (  thestereobus.com/tag/frequency/feed/ ) in 0.25173 seconds, on May 21st, 2012 at 8:24 pm UTC. -->
<!-- This Quick Cache file will automatically expire ( and be re-built automatically ) on May 21st, 2012 at 9:24 pm UTC -->
