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	<title>Music Production Tips - The Stereo Bus Blog &#187; drums</title>
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	<link>http://thestereobus.com</link>
	<description>Music production, pro audio and engineering tips &#38; secrets.</description>
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		<title>Mastering Experiment: &#8220;But They Do&#8221; with the Focusrite Liquid Mix</title>
		<link>http://thestereobus.com/2008/03/08/mastering-experiment-but-they-do-with-the-focusrite-liquid-mix/</link>
		<comments>http://thestereobus.com/2008/03/08/mastering-experiment-but-they-do-with-the-focusrite-liquid-mix/#comments</comments>
		<pubDate>Sun, 09 Mar 2008 05:30:38 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[advanced]]></category>
		<category><![CDATA[mastering]]></category>
		<category><![CDATA[challenge]]></category>
		<category><![CDATA[clipping]]></category>
		<category><![CDATA[compression]]></category>
		<category><![CDATA[Cubase]]></category>
		<category><![CDATA[drums]]></category>
		<category><![CDATA[experiment]]></category>
		<category><![CDATA[focusrite]]></category>
		<category><![CDATA[izotope]]></category>
		<category><![CDATA[lca-2b]]></category>
		<category><![CDATA[levels]]></category>
		<category><![CDATA[limiting]]></category>
		<category><![CDATA[liquid]]></category>
		<category><![CDATA[ludwig]]></category>
		<category><![CDATA[manley]]></category>
		<category><![CDATA[mix]]></category>
		<category><![CDATA[mu]]></category>
		<category><![CDATA[ozone 3]]></category>
		<category><![CDATA[ratio]]></category>
		<category><![CDATA[strings]]></category>
		<category><![CDATA[tech]]></category>
		<category><![CDATA[tube]]></category>
		<category><![CDATA[variable]]></category>

		<guid isPermaLink="false">http://thestereobus.com/2008/03/08/mastering-experiment-but-they-do-with-the-focusrite-liquid-mix/</guid>
		<description><![CDATA[This post focuses on an experiment with my new Focusrite Liquid Mix, with which I mixed and mastered a song of mine that was in need of polishing. First of all, I will be out of town until the 19th&#8230; meaning that I won&#8217;t be making any posts here at TSB until then.  But, I [...]]]></description>
		<wfw:commentRss>http://thestereobus.com/2008/03/08/mastering-experiment-but-they-do-with-the-focusrite-liquid-mix/feed/</wfw:commentRss>
		<slash:comments>10</slash:comments>
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		<title>How to Use Analog Tape as an Effect</title>
		<link>http://thestereobus.com/2008/03/03/analog-tape-as-an-effect/</link>
		<comments>http://thestereobus.com/2008/03/03/analog-tape-as-an-effect/#comments</comments>
		<pubDate>Mon, 03 Mar 2008 13:30:39 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[advanced]]></category>
		<category><![CDATA[analog tape]]></category>
		<category><![CDATA[analog]]></category>
		<category><![CDATA[bouncing]]></category>
		<category><![CDATA[compression]]></category>
		<category><![CDATA[daw]]></category>
		<category><![CDATA[drums]]></category>
		<category><![CDATA[insert]]></category>
		<category><![CDATA[magnetic]]></category>
		<category><![CDATA[punch]]></category>
		<category><![CDATA[studer]]></category>
		<category><![CDATA[tape]]></category>
		<category><![CDATA[tracking]]></category>
		<category><![CDATA[warmth]]></category>

		<guid isPermaLink="false">http://thestereobus.com/2008/03/03/analog-tape-as-an-effect/</guid>
		<description><![CDATA[This post focuses on the use of analog tape&#8217;s warm, unique compression as an effect. When engineers and producers started to make the switch from analog to digital, they found that digital was not only cleaner sound, but it was also somewhat unforgiving.  Most producers were quite fond of &#8216;driving&#8217; the tape a bit by [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Predelay: Improve Clarity of &#8216;Verb</title>
		<link>http://thestereobus.com/2008/02/17/predelay-improve-clarity-of-verb/</link>
		<comments>http://thestereobus.com/2008/02/17/predelay-improve-clarity-of-verb/#comments</comments>
		<pubDate>Mon, 18 Feb 2008 05:01:40 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[Intermediate]]></category>
		<category><![CDATA[reverb]]></category>
		<category><![CDATA[80s]]></category>
		<category><![CDATA[90s]]></category>
		<category><![CDATA[delay]]></category>
		<category><![CDATA[drums]]></category>
		<category><![CDATA[milliseconds]]></category>
		<category><![CDATA[predelay]]></category>
		<category><![CDATA[tail]]></category>
		<category><![CDATA[vocals]]></category>

		<guid isPermaLink="false">http://thestereobus.com/2008/02/17/predelay-improve-clarity-of-verb/</guid>
		<description><![CDATA[This post focuses on the use of predelay to allow reverb to be added to a sound without muddying it up too much. A lot of producers are really reverb shy these days.  It&#8217;s true that reverb can really date material&#8230; it was used so much in the 80s and 90s that a lot of [...]]]></description>
		<wfw:commentRss>http://thestereobus.com/2008/02/17/predelay-improve-clarity-of-verb/feed/</wfw:commentRss>
		<slash:comments>4</slash:comments>
		</item>
		<item>
		<title>Tracking a Band in a Single Room&#8230;</title>
		<link>http://thestereobus.com/2008/02/16/tracking-a-band-in-a-single-room/</link>
		<comments>http://thestereobus.com/2008/02/16/tracking-a-band-in-a-single-room/#comments</comments>
		<pubDate>Sun, 17 Feb 2008 05:46:12 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[Intermediate]]></category>
		<category><![CDATA[single room tracking]]></category>
		<category><![CDATA[57]]></category>
		<category><![CDATA[58]]></category>
		<category><![CDATA[baffling]]></category>
		<category><![CDATA[bass]]></category>
		<category><![CDATA[bleed]]></category>
		<category><![CDATA[blend]]></category>
		<category><![CDATA[compression]]></category>
		<category><![CDATA[DI]]></category>
		<category><![CDATA[drums]]></category>
		<category><![CDATA[dynamic]]></category>
		<category><![CDATA[eq]]></category>
		<category><![CDATA[guitars]]></category>
		<category><![CDATA[hypercardiod]]></category>
		<category><![CDATA[isocabs]]></category>
		<category><![CDATA[isolation]]></category>
		<category><![CDATA[mics]]></category>
		<category><![CDATA[moving blankets]]></category>
		<category><![CDATA[overheads]]></category>

		<guid isPermaLink="false">http://thestereobus.com/2008/02/16/tracking-a-band-in-a-single-room/</guid>
		<description><![CDATA[This post focuses on the classic challenge of how to record a band in a single room and not have it sound completely awful. Lots of us have small production studios and tons of bands have single room practice spaces.  Inevitably the question arises: &#8220;How can I record the band live in a single room [...]]]></description>
		<wfw:commentRss>http://thestereobus.com/2008/02/16/tracking-a-band-in-a-single-room/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Taming Rock Cymbals with&#8230; a DeEsser!?</title>
		<link>http://thestereobus.com/2008/02/13/taming-rock-cymbals-with-a-deesser/</link>
		<comments>http://thestereobus.com/2008/02/13/taming-rock-cymbals-with-a-deesser/#comments</comments>
		<pubDate>Wed, 13 Feb 2008 23:44:54 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[advanced]]></category>
		<category><![CDATA[taming rock cymbals]]></category>
		<category><![CDATA[compressor]]></category>
		<category><![CDATA[cymbals]]></category>
		<category><![CDATA[deesser]]></category>
		<category><![CDATA[drummer]]></category>
		<category><![CDATA[drums]]></category>
		<category><![CDATA[multiband]]></category>
		<category><![CDATA[mushy]]></category>
		<category><![CDATA[overheads]]></category>
		<category><![CDATA[rock]]></category>
		<category><![CDATA[splashy]]></category>
		<category><![CDATA[sybillance]]></category>
		<category><![CDATA[threshold]]></category>

		<guid isPermaLink="false">http://thestereobus.com/2008/02/13/taming-rock-cymbals-with-a-deesser/</guid>
		<description><![CDATA[This post. focuses on the secret rock mixing practice of using a DeEsser on overheads. Rock overhead tracks are downright scary.  Many rock drummers constantly wash out their cymbals and play in the studio with &#8216;live&#8217; cymbals that have too much presence, designed to cut through stage noise.  EQing the cymbals leaves you with mush [...]]]></description>
		<wfw:commentRss>http://thestereobus.com/2008/02/13/taming-rock-cymbals-with-a-deesser/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Subtly Using Delays to Add Energy</title>
		<link>http://thestereobus.com/2008/02/03/subtly-using-delays-to-add-energy/</link>
		<comments>http://thestereobus.com/2008/02/03/subtly-using-delays-to-add-energy/#comments</comments>
		<pubDate>Mon, 04 Feb 2008 02:21:30 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[beginner]]></category>
		<category><![CDATA[using delays]]></category>
		<category><![CDATA[delay]]></category>
		<category><![CDATA[dotted quarter note]]></category>
		<category><![CDATA[drums]]></category>
		<category><![CDATA[energy]]></category>
		<category><![CDATA[feel]]></category>
		<category><![CDATA[ips]]></category>
		<category><![CDATA[loop]]></category>
		<category><![CDATA[measure]]></category>
		<category><![CDATA[musicians bundle II]]></category>
		<category><![CDATA[tape]]></category>
		<category><![CDATA[waves]]></category>

		<guid isPermaLink="false">http://thestereobus.com/2008/02/03/subtly-using-delays-to-add-energy/</guid>
		<description><![CDATA[This post focuses on using delays to subtly add or change the energy of a sound. I&#8217;m a big fan of delays. They add a lot of the depth and texture that people usually grab reverbs to achieve without taking up as much of the space. This distinction helps avoid sandboxing your mixes in the [...]]]></description>
		<wfw:commentRss>http://thestereobus.com/2008/02/03/subtly-using-delays-to-add-energy/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>Piezo: Pickups, Drum Triggers&#8230;</title>
		<link>http://thestereobus.com/2008/01/24/piezo-pickups-drum-triggers/</link>
		<comments>http://thestereobus.com/2008/01/24/piezo-pickups-drum-triggers/#comments</comments>
		<pubDate>Fri, 25 Jan 2008 05:14:30 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[advanced]]></category>
		<category><![CDATA[piezo]]></category>
		<category><![CDATA[acoustic guitar]]></category>
		<category><![CDATA[DIY]]></category>
		<category><![CDATA[drum trigger]]></category>
		<category><![CDATA[drums]]></category>
		<category><![CDATA[gate]]></category>
		<category><![CDATA[leakage]]></category>
		<category><![CDATA[lof-fi]]></category>
		<category><![CDATA[piano]]></category>
		<category><![CDATA[pickup]]></category>
		<category><![CDATA[sensor]]></category>
		<category><![CDATA[sidechain]]></category>
		<category><![CDATA[trigger]]></category>
		<category><![CDATA[vibration]]></category>

		<guid isPermaLink="false">http://thestereobus.com/2008/01/24/piezo-pickups-drum-triggers/</guid>
		<description><![CDATA[This post focuses on the use of piezo sensors and pickups in pro audio applications. Most people don&#8217;t think of piezo technology very often. Basically, piezoelectric sensors involve using mechanical vibrations against the sensor to create a signal. It&#8217;s a unique way to generate sound and signal, meaning that it can be used in applications [...]]]></description>
		<wfw:commentRss>http://thestereobus.com/2008/01/24/piezo-pickups-drum-triggers/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Compression Sends vs. Compression Inserts</title>
		<link>http://thestereobus.com/2007/12/22/compression-sends-vs-compression-inserts/</link>
		<comments>http://thestereobus.com/2007/12/22/compression-sends-vs-compression-inserts/#comments</comments>
		<pubDate>Sun, 23 Dec 2007 02:26:15 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[advanced]]></category>
		<category><![CDATA[compression (audio)]]></category>
		<category><![CDATA[automation]]></category>
		<category><![CDATA[aux]]></category>
		<category><![CDATA[cross stick]]></category>
		<category><![CDATA[drums]]></category>
		<category><![CDATA[gain reduction]]></category>
		<category><![CDATA[piano]]></category>
		<category><![CDATA[pumping]]></category>
		<category><![CDATA[send]]></category>
		<category><![CDATA[snare]]></category>

		<guid isPermaLink="false">http://thestereobus.com/2007/12/22/compression-sends-vs-compression-inserts/</guid>
		<description><![CDATA[This post is going to focus on using compression on sends vs. compression on inserts in order to retain fidelity while adding punch. Throwing up an insert on a track is an obvious way to control the dynamics of the track or to add punch. Unfortunately, sometimes adding compression to the sound itself dulls the [...]]]></description>
		<wfw:commentRss>http://thestereobus.com/2007/12/22/compression-sends-vs-compression-inserts/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
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