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	<title>Music Production Tips - The Stereo Bus Blog &#187; distortion</title>
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	<link>http://thestereobus.com</link>
	<description>Music production, pro audio and engineering tips &#38; secrets.</description>
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		<title>Review: Ohm Force Ohmicide Distortion Plugin</title>
		<link>http://thestereobus.com/2009/05/06/review-ohm-force-ohmicide-distortion-plugin/</link>
		<comments>http://thestereobus.com/2009/05/06/review-ohm-force-ohmicide-distortion-plugin/#comments</comments>
		<pubDate>Wed, 06 May 2009 22:33:42 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[Distortion]]></category>
		<category><![CDATA[Plugins]]></category>
		<category><![CDATA[distortion]]></category>
		<category><![CDATA[multiband]]></category>
		<category><![CDATA[ohm force]]></category>
		<category><![CDATA[ohmicide]]></category>
		<category><![CDATA[plugin]]></category>
		<category><![CDATA[review]]></category>

		<guid isPermaLink="false">http://thestereobus.com/?p=184</guid>
		<description><![CDATA[Last post I took some time to write up a review for Ohm Force&#8216;s Symptohm synthesizer.  This time around I&#8217;ll be looking at their Ohmicide multiband distortion plugin.  I&#8217;m a sucker for distortions and was pretty excited to give it a spin. Ohmicide is one of the most flexible distortions I&#8217;ve found with four bands [...]]]></description>
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		<slash:comments>2</slash:comments>
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		<item>
		<title>What&#8217;s this Class A, Class AB, Class B stuff?</title>
		<link>http://thestereobus.com/2008/02/24/whats-this-class-a-class-ab-class-b-stuff/</link>
		<comments>http://thestereobus.com/2008/02/24/whats-this-class-a-class-ab-class-b-stuff/#comments</comments>
		<pubDate>Sun, 24 Feb 2008 20:30:26 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[Amplification]]></category>
		<category><![CDATA[Amplifiers]]></category>
		<category><![CDATA[a]]></category>
		<category><![CDATA[AB]]></category>
		<category><![CDATA[amp]]></category>
		<category><![CDATA[amplifier]]></category>
		<category><![CDATA[b]]></category>
		<category><![CDATA[class]]></category>
		<category><![CDATA[crossover]]></category>
		<category><![CDATA[current]]></category>
		<category><![CDATA[distortion]]></category>
		<category><![CDATA[efficiency]]></category>
		<category><![CDATA[peak]]></category>
		<category><![CDATA[preamp]]></category>
		<category><![CDATA[signal]]></category>
		<category><![CDATA[trough]]></category>

		<guid isPermaLink="false">http://thestereobus.com/2008/02/24/whats-this-class-a-class-ab-class-b-stuff/</guid>
		<description><![CDATA[This post focuses on the basics of the differences between various amplifier (and preamplifier) types, namely class A, B, and AB. When we first start out learning about audio equipment, there&#8217;s an awful lot of terms to sort through.  One in particular that escaped me for years was what exactly the various &#8216;classes&#8217; of amplifiers [...]]]></description>
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		<slash:comments>2</slash:comments>
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		<item>
		<title>Convolution: Untangling the Qualities of Sound</title>
		<link>http://thestereobus.com/2008/01/28/convolution-untangling-the-qualities-of-sound/</link>
		<comments>http://thestereobus.com/2008/01/28/convolution-untangling-the-qualities-of-sound/#comments</comments>
		<pubDate>Tue, 29 Jan 2008 03:01:36 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[Altiverb]]></category>
		<category><![CDATA[ambience]]></category>
		<category><![CDATA[compressor]]></category>
		<category><![CDATA[convolutiom]]></category>
		<category><![CDATA[deconvolution]]></category>
		<category><![CDATA[distortion]]></category>
		<category><![CDATA[echoes]]></category>
		<category><![CDATA[eq]]></category>
		<category><![CDATA[frequency response]]></category>
		<category><![CDATA[impulse responses]]></category>
		<category><![CDATA[IR-1]]></category>
		<category><![CDATA[Logic Pro]]></category>
		<category><![CDATA[pristine space]]></category>
		<category><![CDATA[reverb]]></category>
		<category><![CDATA[Room]]></category>
		<category><![CDATA[sir]]></category>
		<category><![CDATA[tone]]></category>
		<category><![CDATA[waves]]></category>

		<guid isPermaLink="false">http://thestereobus.com/2008/01/28/convolution-untangling-the-qualities-of-sound/</guid>
		<description><![CDATA[This post focuses on convolution as it applies to audio &#8211; the capturing and reapplication of the qualities of sound. A few years ago some new-fangled audio processing engines started to leak out of the lab and into the market involving a process called convolution. The name convolution comes from the type of math involved, [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Ugly and Pretty: Exceptional Use of Diversity in Sound</title>
		<link>http://thestereobus.com/2007/12/15/ugly-and-pretty-exceptional-use-of-diversity-in-sound/</link>
		<comments>http://thestereobus.com/2007/12/15/ugly-and-pretty-exceptional-use-of-diversity-in-sound/#comments</comments>
		<pubDate>Sun, 16 Dec 2007 01:03:11 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[api]]></category>
		<category><![CDATA[avalon]]></category>
		<category><![CDATA[bad]]></category>
		<category><![CDATA[big muff]]></category>
		<category><![CDATA[chorus]]></category>
		<category><![CDATA[condensors]]></category>
		<category><![CDATA[contrast]]></category>
		<category><![CDATA[delay]]></category>
		<category><![CDATA[distortion]]></category>
		<category><![CDATA[earthworks]]></category>
		<category><![CDATA[fletcher munson]]></category>
		<category><![CDATA[hifi]]></category>
		<category><![CDATA[lofi]]></category>
		<category><![CDATA[midrange]]></category>
		<category><![CDATA[nine inch nails]]></category>
		<category><![CDATA[overdrive]]></category>
		<category><![CDATA[presence]]></category>
		<category><![CDATA[pretty]]></category>
		<category><![CDATA[pristine]]></category>
		<category><![CDATA[ribbons]]></category>
		<category><![CDATA[small diaphragm]]></category>
		<category><![CDATA[ssl]]></category>
		<category><![CDATA[trent reznor]]></category>
		<category><![CDATA[ugly]]></category>
		<category><![CDATA[waves]]></category>

		<guid isPermaLink="false">http://thestereobus.com/2007/12/15/ugly-and-pretty-exceptional-use-of-diversity-in-sound/</guid>
		<description><![CDATA[This post focuses on creating engaging sound for music production by combining pretty sounds and ugly sounds for contrast. Something that the most successful producers understand is the importance of both pristine, pretty sounds and awful ugly, sounds. There have been countless examples of moments where engineers, producers, and artists have strived for creating something [...]]]></description>
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		<slash:comments>0</slash:comments>
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