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	<title>Music Production Tips - The Stereo Bus Blog &#187; daw</title>
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	<link>http://thestereobus.com</link>
	<description>Music production, pro audio and engineering tips &#38; secrets.</description>
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		<title>How to Group Tracks to Save DAW CPU</title>
		<link>http://thestereobus.com/2008/03/08/how-to-group-tracks-to-save-daw-cpu/</link>
		<comments>http://thestereobus.com/2008/03/08/how-to-group-tracks-to-save-daw-cpu/#comments</comments>
		<pubDate>Sat, 08 Mar 2008 13:30:56 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[beginner]]></category>
		<category><![CDATA[grouping tracks]]></category>
		<category><![CDATA[blend]]></category>
		<category><![CDATA[compression]]></category>
		<category><![CDATA[CPU]]></category>
		<category><![CDATA[daw]]></category>
		<category><![CDATA[dsp]]></category>
		<category><![CDATA[eq]]></category>
		<category><![CDATA[glue]]></category>
		<category><![CDATA[group]]></category>
		<category><![CDATA[Pro Tools]]></category>
		<category><![CDATA[processor]]></category>
		<category><![CDATA[tracks]]></category>
		<category><![CDATA[vocal]]></category>

		<guid isPermaLink="false">http://thestereobus.com/2008/03/08/how-to-group-tracks-to-save-daw-cpu/</guid>
		<description><![CDATA[This post focuses on how to group tracks to save CPU or DSP processing. When I first started mixing using a computer, I would throw up inserts on everything.  Everything was processed independently.  As you might imagine, my mixes were insanely CPU intensive and hard to manage.  Soon I realized that many of the tracks [...]]]></description>
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		<slash:comments>1</slash:comments>
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		<title>How to Use Analog Tape as an Effect</title>
		<link>http://thestereobus.com/2008/03/03/analog-tape-as-an-effect/</link>
		<comments>http://thestereobus.com/2008/03/03/analog-tape-as-an-effect/#comments</comments>
		<pubDate>Mon, 03 Mar 2008 13:30:39 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[advanced]]></category>
		<category><![CDATA[analog tape]]></category>
		<category><![CDATA[analog]]></category>
		<category><![CDATA[bouncing]]></category>
		<category><![CDATA[compression]]></category>
		<category><![CDATA[daw]]></category>
		<category><![CDATA[drums]]></category>
		<category><![CDATA[insert]]></category>
		<category><![CDATA[magnetic]]></category>
		<category><![CDATA[punch]]></category>
		<category><![CDATA[studer]]></category>
		<category><![CDATA[tape]]></category>
		<category><![CDATA[tracking]]></category>
		<category><![CDATA[warmth]]></category>

		<guid isPermaLink="false">http://thestereobus.com/2008/03/03/analog-tape-as-an-effect/</guid>
		<description><![CDATA[This post focuses on the use of analog tape&#8217;s warm, unique compression as an effect. When engineers and producers started to make the switch from analog to digital, they found that digital was not only cleaner sound, but it was also somewhat unforgiving.  Most producers were quite fond of &#8216;driving&#8217; the tape a bit by [...]]]></description>
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		<title>11 Important DAW Maintenance Tips</title>
		<link>http://thestereobus.com/2008/02/26/11-important-daw-maintenance-tips/</link>
		<comments>http://thestereobus.com/2008/02/26/11-important-daw-maintenance-tips/#comments</comments>
		<pubDate>Wed, 27 Feb 2008 03:03:52 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[Intermediate]]></category>
		<category><![CDATA[daw maintenance]]></category>
		<category><![CDATA[computer]]></category>
		<category><![CDATA[daw]]></category>
		<category><![CDATA[disk]]></category>
		<category><![CDATA[dust]]></category>
		<category><![CDATA[EXT3]]></category>
		<category><![CDATA[FAT32]]></category>
		<category><![CDATA[HFS+]]></category>
		<category><![CDATA[hot]]></category>
		<category><![CDATA[linux]]></category>
		<category><![CDATA[mainttenance]]></category>
		<category><![CDATA[memory]]></category>
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		<category><![CDATA[OSX]]></category>
		<category><![CDATA[power]]></category>
		<category><![CDATA[programs]]></category>
		<category><![CDATA[RAM]]></category>
		<category><![CDATA[shutdown]]></category>
		<category><![CDATA[slow]]></category>
		<category><![CDATA[space]]></category>
		<category><![CDATA[stability]]></category>
		<category><![CDATA[uninstall]]></category>
		<category><![CDATA[updates]]></category>
		<category><![CDATA[UPS]]></category>
		<category><![CDATA[virtual]]></category>
		<category><![CDATA[windows]]></category>

		<guid isPermaLink="false">http://thestereobus.com/2008/02/26/11-important-daw-maintenance-tips/</guid>
		<description><![CDATA[This post focuses on some basic techniques for keeping your DAW running in primo shape. It&#8217;s easy to take our computers for granted, but sometimes it seems like if you turn your back for a moment, your computer will destroy itself. The reality is that computers are incredibly complex machines and that small, day to [...]]]></description>
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		<slash:comments>5</slash:comments>
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		<title>Idea: Rolling Tracking Station</title>
		<link>http://thestereobus.com/2008/02/12/idea-rolling-tracking-station/</link>
		<comments>http://thestereobus.com/2008/02/12/idea-rolling-tracking-station/#comments</comments>
		<pubDate>Tue, 12 Feb 2008 18:57:25 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[advanced]]></category>
		<category><![CDATA[rolling tracking station]]></category>
		<category><![CDATA[cables]]></category>
		<category><![CDATA[daw]]></category>
		<category><![CDATA[keyboard]]></category>
		<category><![CDATA[monitor]]></category>
		<category><![CDATA[mouse]]></category>
		<category><![CDATA[patchbay]]></category>
		<category><![CDATA[preamp]]></category>
		<category><![CDATA[ps/2]]></category>
		<category><![CDATA[pulley]]></category>
		<category><![CDATA[rackmount]]></category>
		<category><![CDATA[rolling]]></category>
		<category><![CDATA[snake]]></category>
		<category><![CDATA[station]]></category>
		<category><![CDATA[storage]]></category>
		<category><![CDATA[tracking]]></category>

		<guid isPermaLink="false">http://thestereobus.com/2008/02/12/idea-rolling-tracking-station/</guid>
		<description><![CDATA[This post focuses on an idea I&#8217;ve had for a while: a rolling station that can be moved easily around the studio to ease tracking difficulty when working alone. One problem that I&#8217;ve run into is that, when working in a studio setup that includes a control room and a tracking room, it becomes very [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Adding Real Ambience After-the-Fact</title>
		<link>http://thestereobus.com/2008/02/07/adding-real-ambience-after-the-fact/</link>
		<comments>http://thestereobus.com/2008/02/07/adding-real-ambience-after-the-fact/#comments</comments>
		<pubDate>Fri, 08 Feb 2008 04:45:07 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[adding real ambience]]></category>
		<category><![CDATA[advanced]]></category>
		<category><![CDATA[ambience]]></category>
		<category><![CDATA[chamber]]></category>
		<category><![CDATA[daw]]></category>
		<category><![CDATA[microphones]]></category>
		<category><![CDATA[oboe]]></category>
		<category><![CDATA[pa system]]></category>
		<category><![CDATA[predelay]]></category>
		<category><![CDATA[reverb]]></category>
		<category><![CDATA[reverberation]]></category>
		<category><![CDATA[spl]]></category>
		<category><![CDATA[studio monitor]]></category>

		<guid isPermaLink="false">http://thestereobus.com/2008/02/08/adding-real-ambience-after-the-fact/</guid>
		<description><![CDATA[This post focuses on capturing ambience by playing back and re-recording sounds in acoustic spaces. The idea of piping sounds into a space and retracking it isn&#8217;t new by any stretch of the imagination.  Before the advent of reverb processors it was common practice to route audio to speakers in reverb chambers to achieve ambient [...]]]></description>
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		<slash:comments>2</slash:comments>
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