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	<title>Music Production Tips - The Stereo Bus Blog &#187; blend</title>
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	<link>http://thestereobus.com</link>
	<description>Music production, pro audio and engineering tips &#38; secrets.</description>
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		<title>How to Group Tracks to Save DAW CPU</title>
		<link>http://thestereobus.com/2008/03/08/how-to-group-tracks-to-save-daw-cpu/</link>
		<comments>http://thestereobus.com/2008/03/08/how-to-group-tracks-to-save-daw-cpu/#comments</comments>
		<pubDate>Sat, 08 Mar 2008 13:30:56 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[DAWs]]></category>
		<category><![CDATA[Mixing]]></category>
		<category><![CDATA[blend]]></category>
		<category><![CDATA[compression]]></category>
		<category><![CDATA[CPU]]></category>
		<category><![CDATA[daw]]></category>
		<category><![CDATA[dsp]]></category>
		<category><![CDATA[eq]]></category>
		<category><![CDATA[glue]]></category>
		<category><![CDATA[group]]></category>
		<category><![CDATA[Pro Tools]]></category>
		<category><![CDATA[processor]]></category>
		<category><![CDATA[tracks]]></category>
		<category><![CDATA[vocal]]></category>

		<guid isPermaLink="false">http://thestereobus.com/2008/03/08/how-to-group-tracks-to-save-daw-cpu/</guid>
		<description><![CDATA[This post focuses on how to group tracks to save CPU or DSP processing. When I first started mixing using a computer, I would throw up inserts on everything.  Everything was processed independently.  As you might imagine, my mixes were insanely CPU intensive and hard to manage.  Soon I realized that many of the tracks [...]]]></description>
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		<slash:comments>1</slash:comments>
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		<title>Blending in DI for Clarity</title>
		<link>http://thestereobus.com/2008/02/29/blending-in-di-for-clarity/</link>
		<comments>http://thestereobus.com/2008/02/29/blending-in-di-for-clarity/#comments</comments>
		<pubDate>Sat, 01 Mar 2008 05:26:48 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[DIs]]></category>
		<category><![CDATA[60s]]></category>
		<category><![CDATA[70s]]></category>
		<category><![CDATA[amp]]></category>
		<category><![CDATA[blend]]></category>
		<category><![CDATA[brittle]]></category>
		<category><![CDATA[compression]]></category>
		<category><![CDATA[DI]]></category>
		<category><![CDATA[direct]]></category>
		<category><![CDATA[eq]]></category>
		<category><![CDATA[farty]]></category>
		<category><![CDATA[high]]></category>
		<category><![CDATA[injection]]></category>
		<category><![CDATA[low]]></category>
		<category><![CDATA[pass]]></category>
		<category><![CDATA[pickup]]></category>
		<category><![CDATA[rubbery]]></category>
		<category><![CDATA[seventies]]></category>
		<category><![CDATA[sixties]]></category>

		<guid isPermaLink="false">http://thestereobus.com/2008/02/29/blending-in-di-for-clarity/</guid>
		<description><![CDATA[This post focuses on the topic of using direct injection/input to bring clarity to traditionally recorded tracks. When you were first starting out in the world of audio, you probably tried something along the lines of plugging a guitar or bass directly into your audio interface or mixer.   I know I did this and [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Tracking a Band in a Single Room&#8230;</title>
		<link>http://thestereobus.com/2008/02/16/tracking-a-band-in-a-single-room/</link>
		<comments>http://thestereobus.com/2008/02/16/tracking-a-band-in-a-single-room/#comments</comments>
		<pubDate>Sun, 17 Feb 2008 05:46:12 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[Tracking]]></category>
		<category><![CDATA[57]]></category>
		<category><![CDATA[58]]></category>
		<category><![CDATA[baffling]]></category>
		<category><![CDATA[bass]]></category>
		<category><![CDATA[bleed]]></category>
		<category><![CDATA[blend]]></category>
		<category><![CDATA[compression]]></category>
		<category><![CDATA[DI]]></category>
		<category><![CDATA[drums]]></category>
		<category><![CDATA[dynamic]]></category>
		<category><![CDATA[eq]]></category>
		<category><![CDATA[guitars]]></category>
		<category><![CDATA[hypercardiod]]></category>
		<category><![CDATA[isocabs]]></category>
		<category><![CDATA[isolation]]></category>
		<category><![CDATA[mics]]></category>
		<category><![CDATA[moving blankets]]></category>
		<category><![CDATA[overheads]]></category>

		<guid isPermaLink="false">http://thestereobus.com/2008/02/16/tracking-a-band-in-a-single-room/</guid>
		<description><![CDATA[This post focuses on the classic challenge of how to record a band in a single room and not have it sound completely awful. Lots of us have small production studios and tons of bands have single room practice spaces.  Inevitably the question arises: &#8220;How can I record the band live in a single room [...]]]></description>
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		<title>Increasing Attack with Gates</title>
		<link>http://thestereobus.com/2008/02/06/increasing-attack-with-gates/</link>
		<comments>http://thestereobus.com/2008/02/06/increasing-attack-with-gates/#comments</comments>
		<pubDate>Thu, 07 Feb 2008 05:41:23 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[Gates]]></category>
		<category><![CDATA[Mixing]]></category>
		<category><![CDATA[attack]]></category>
		<category><![CDATA[blend]]></category>
		<category><![CDATA[gates]]></category>
		<category><![CDATA[release]]></category>
		<category><![CDATA[rhythm]]></category>
		<category><![CDATA[ssl]]></category>
		<category><![CDATA[transient]]></category>

		<guid isPermaLink="false">http://thestereobus.com/2008/02/06/increasing-attack-with-gates/</guid>
		<description><![CDATA[This post focuses on the trick of increasing the attack of sounds using gates. Most people reach for EQ or compression when they want to add punch to their sounds.  But I&#8217;ve found another way to accomplish a very specific kind of attack transient using gates.  I sometimes use this trick to add attack kick [...]]]></description>
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