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	<title>Music Production Tips - The Stereo Bus Blog &#187; bass</title>
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	<link>http://thestereobus.com</link>
	<description>Music production, pro audio and engineering tips &#38; secrets.</description>
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		<title>DIY Acoustic Panel Bass Traps: Treating Your Room Right</title>
		<link>http://thestereobus.com/2011/07/26/diy-acoustic-bass-traps-treating-your-room-right/</link>
		<comments>http://thestereobus.com/2011/07/26/diy-acoustic-bass-traps-treating-your-room-right/#comments</comments>
		<pubDate>Tue, 26 Jul 2011 07:25:21 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[Acoustics]]></category>
		<category><![CDATA[DIY]]></category>
		<category><![CDATA[703]]></category>
		<category><![CDATA[acoustics]]></category>
		<category><![CDATA[bass]]></category>
		<category><![CDATA[insulation]]></category>
		<category><![CDATA[owens corning]]></category>
		<category><![CDATA[panels]]></category>
		<category><![CDATA[resonance]]></category>
		<category><![CDATA[Room]]></category>
		<category><![CDATA[trap]]></category>
		<category><![CDATA[treatment]]></category>

		<guid isPermaLink="false">http://thestereobus.com/?p=268</guid>
		<description><![CDATA[Build super-effective DIY bass traps acoustic treatments for around $75 a panel.]]></description>
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		<title>Tracking a Band in a Single Room&#8230;</title>
		<link>http://thestereobus.com/2008/02/16/tracking-a-band-in-a-single-room/</link>
		<comments>http://thestereobus.com/2008/02/16/tracking-a-band-in-a-single-room/#comments</comments>
		<pubDate>Sun, 17 Feb 2008 05:46:12 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[Tracking]]></category>
		<category><![CDATA[57]]></category>
		<category><![CDATA[58]]></category>
		<category><![CDATA[baffling]]></category>
		<category><![CDATA[bass]]></category>
		<category><![CDATA[bleed]]></category>
		<category><![CDATA[blend]]></category>
		<category><![CDATA[compression]]></category>
		<category><![CDATA[DI]]></category>
		<category><![CDATA[drums]]></category>
		<category><![CDATA[dynamic]]></category>
		<category><![CDATA[eq]]></category>
		<category><![CDATA[guitars]]></category>
		<category><![CDATA[hypercardiod]]></category>
		<category><![CDATA[isocabs]]></category>
		<category><![CDATA[isolation]]></category>
		<category><![CDATA[mics]]></category>
		<category><![CDATA[moving blankets]]></category>
		<category><![CDATA[overheads]]></category>

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		<description><![CDATA[This post focuses on the classic challenge of how to record a band in a single room and not have it sound completely awful. Lots of us have small production studios and tons of bands have single room practice spaces.  Inevitably the question arises: &#8220;How can I record the band live in a single room [...]]]></description>
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		<title>Stereo Image Placement = Much Better Mixing</title>
		<link>http://thestereobus.com/2008/01/20/stereo-image-placement-much-better-mixing/</link>
		<comments>http://thestereobus.com/2008/01/20/stereo-image-placement-much-better-mixing/#comments</comments>
		<pubDate>Mon, 21 Jan 2008 01:33:05 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[background vocals]]></category>
		<category><![CDATA[bass]]></category>
		<category><![CDATA[center]]></category>
		<category><![CDATA[edge]]></category>
		<category><![CDATA[featured]]></category>
		<category><![CDATA[guitars]]></category>
		<category><![CDATA[kick]]></category>
		<category><![CDATA[left]]></category>
		<category><![CDATA[mix]]></category>
		<category><![CDATA[mixing]]></category>
		<category><![CDATA[panning]]></category>
		<category><![CDATA[reverb]]></category>
		<category><![CDATA[right]]></category>
		<category><![CDATA[synth]]></category>
		<category><![CDATA[vocals]]></category>

		<guid isPermaLink="false">http://thestereobus.com/2008/01/20/stereo-image-placement-much-better-mixing/</guid>
		<description><![CDATA[This post focuses on the placement of sounds in the stereo image during the mix process. Proper use of stereo imaging in a mix is probably almost as important (or even more important in sparse mixes) as equalization, yet it is largely overlooked as an area for improvement in engineers and producers of beginner and [...]]]></description>
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		<title>Thump and Bump: Balancing the Kick and the Bass</title>
		<link>http://thestereobus.com/2008/01/09/thump-and-bump-balancing-the-kick-and-the-bass/</link>
		<comments>http://thestereobus.com/2008/01/09/thump-and-bump-balancing-the-kick-and-the-bass/#comments</comments>
		<pubDate>Wed, 09 Jan 2008 16:38:18 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[bass]]></category>
		<category><![CDATA[bass traps]]></category>
		<category><![CDATA[BT]]></category>
		<category><![CDATA[compression]]></category>
		<category><![CDATA[eq]]></category>
		<category><![CDATA[featured]]></category>
		<category><![CDATA[high-pass]]></category>
		<category><![CDATA[hip-hop]]></category>
		<category><![CDATA[jazz]]></category>
		<category><![CDATA[kick drum]]></category>
		<category><![CDATA[mackie hr824]]></category>
		<category><![CDATA[monitors]]></category>
		<category><![CDATA[notch]]></category>
		<category><![CDATA[RnB]]></category>
		<category><![CDATA[sidechaining]]></category>
		<category><![CDATA[tube traps]]></category>
		<category><![CDATA[upright bass]]></category>
		<category><![CDATA[yamaha ns10]]></category>

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		<description><![CDATA[This post is going to focus on getting a solid balance between the two main sources of bass in pop music: the bass and the kick drum. Few things are better than mix that gets the low end right. It can be really tricky to accomplish (or downright impossible if the environment isn&#8217;t right). But, [...]]]></description>
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