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	<title>Music Production Tips - The Stereo Bus Blog &#187; automation</title>
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	<link>http://thestereobus.com</link>
	<description>Music production, pro audio and engineering tips &#38; secrets.</description>
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		<title>SysEx and MIDI Automation: Don&#8217;t Forget That Preset</title>
		<link>http://thestereobus.com/2008/01/17/sysex-and-midi-automation-dont-forget-that-preset/</link>
		<comments>http://thestereobus.com/2008/01/17/sysex-and-midi-automation-dont-forget-that-preset/#comments</comments>
		<pubDate>Fri, 18 Jan 2008 01:47:39 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[advanced]]></category>
		<category><![CDATA[sysex and MIDI automation]]></category>
		<category><![CDATA[automation]]></category>
		<category><![CDATA[digital mixers]]></category>
		<category><![CDATA[dump]]></category>
		<category><![CDATA[gain]]></category>
		<category><![CDATA[line6]]></category>
		<category><![CDATA[MIDI]]></category>
		<category><![CDATA[modelers]]></category>
		<category><![CDATA[motif]]></category>
		<category><![CDATA[podxt]]></category>
		<category><![CDATA[presets]]></category>
		<category><![CDATA[reverb]]></category>
		<category><![CDATA[synths]]></category>
		<category><![CDATA[sysex]]></category>
		<category><![CDATA[volume]]></category>
		<category><![CDATA[yamaha]]></category>

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		<description><![CDATA[The focus of this post is on capturing SysEx information from external MIDI devices in order to have a record of your presets right in your session or automate the settings throughout the track. It happens to producers time and time again: you&#8217;ve created an awesome synth sound or guitar tone, you&#8217;ve recorded the midi [...]]]></description>
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		<title>Automation: Enhancing, Creating Motion, Adding Flavor</title>
		<link>http://thestereobus.com/2007/12/23/automation-enhancing-creating-motion-adding-flavor/</link>
		<comments>http://thestereobus.com/2007/12/23/automation-enhancing-creating-motion-adding-flavor/#comments</comments>
		<pubDate>Mon, 24 Dec 2007 03:44:28 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[Intermediate]]></category>
		<category><![CDATA[automation]]></category>
		<category><![CDATA[aux]]></category>
		<category><![CDATA[delay]]></category>
		<category><![CDATA[dub]]></category>
		<category><![CDATA[effects]]></category>
		<category><![CDATA[enhancing performances]]></category>
		<category><![CDATA[feedback]]></category>
		<category><![CDATA[motion]]></category>
		<category><![CDATA[return]]></category>
		<category><![CDATA[reverb]]></category>
		<category><![CDATA[send]]></category>
		<category><![CDATA[trance]]></category>
		<category><![CDATA[vocal performance]]></category>

		<guid isPermaLink="false">http://thestereobus.com/2007/12/23/automation-enhancing-creating-motion-adding-flavor/</guid>
		<description><![CDATA[This post focuses on making your tracks sound more dynamic with automation. Automation has been with us for a long time. Before there were computers, it wasn&#8217;t too uncommon to see engineers, producers, and assistants all at the board to move faders and push buttons in real-time as the mix ran its way through the [...]]]></description>
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		<title>Compression Sends vs. Compression Inserts</title>
		<link>http://thestereobus.com/2007/12/22/compression-sends-vs-compression-inserts/</link>
		<comments>http://thestereobus.com/2007/12/22/compression-sends-vs-compression-inserts/#comments</comments>
		<pubDate>Sun, 23 Dec 2007 02:26:15 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[advanced]]></category>
		<category><![CDATA[compression (audio)]]></category>
		<category><![CDATA[automation]]></category>
		<category><![CDATA[aux]]></category>
		<category><![CDATA[cross stick]]></category>
		<category><![CDATA[drums]]></category>
		<category><![CDATA[gain reduction]]></category>
		<category><![CDATA[piano]]></category>
		<category><![CDATA[pumping]]></category>
		<category><![CDATA[send]]></category>
		<category><![CDATA[snare]]></category>

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		<description><![CDATA[This post is going to focus on using compression on sends vs. compression on inserts in order to retain fidelity while adding punch. Throwing up an insert on a track is an obvious way to control the dynamics of the track or to add punch. Unfortunately, sometimes adding compression to the sound itself dulls the [...]]]></description>
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