<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Music Production Tips - The Stereo Bus Blog &#187; artist</title>
	<atom:link href="http://thestereobus.com/tag/artist/feed/" rel="self" type="application/rss+xml" />
	<link>http://thestereobus.com</link>
	<description>Music production, pro audio and engineering tips &#38; secrets.</description>
	<lastBuildDate>Mon, 30 Apr 2012 05:04:22 +0000</lastBuildDate>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.3.2</generator>
		<item>
		<title>Scouting: Noticing, Being Noticed, and Following Through.</title>
		<link>http://thestereobus.com/2007/12/12/scouting-noticing-being-noticed-and-following-through/</link>
		<comments>http://thestereobus.com/2007/12/12/scouting-noticing-being-noticed-and-following-through/#comments</comments>
		<pubDate>Thu, 13 Dec 2007 05:36:45 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[artist]]></category>
		<category><![CDATA[artists]]></category>
		<category><![CDATA[business]]></category>
		<category><![CDATA[meeting]]></category>
		<category><![CDATA[record label]]></category>
		<category><![CDATA[schmoozing]]></category>
		<category><![CDATA[scouting]]></category>

		<guid isPermaLink="false">http://thestereobus.com/2007/12/12/scouting-noticing-being-noticed-and-following-through/</guid>
		<description><![CDATA[This post is about techniques for scouting and following through with potential clients. Unless you&#8217;re an institution in the industry, whether locally or internationally, chances are clients won&#8217;t be calling you or knocking on your door for the chance to work with you. It used to be that labels would almost always choose the producers [...]]]></description>
		<wfw:commentRss>http://thestereobus.com/2007/12/12/scouting-noticing-being-noticed-and-following-through/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Role of a Music Producer Explained</title>
		<link>http://thestereobus.com/2007/12/07/the-role-of-a-music-producer-explained/</link>
		<comments>http://thestereobus.com/2007/12/07/the-role-of-a-music-producer-explained/#comments</comments>
		<pubDate>Fri, 07 Dec 2007 12:05:32 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[artist]]></category>
		<category><![CDATA[artistic vision]]></category>
		<category><![CDATA[britany spears]]></category>
		<category><![CDATA[budget]]></category>
		<category><![CDATA[dave grohl]]></category>
		<category><![CDATA[engineer]]></category>
		<category><![CDATA[logistics]]></category>
		<category><![CDATA[roles]]></category>
		<category><![CDATA[tori amos]]></category>

		<guid isPermaLink="false">http://thestereobus.com/2007/12/08/the-role-of-a-music-producer-explained/</guid>
		<description><![CDATA[As I have worked with artists and discussed what it is that I do with people who are not directly involved with the music industry, one of the things that has become very apparent is that not many people are familiar with the role of a producer. They listen to produced albums, love them, but [...]]]></description>
		<wfw:commentRss>http://thestereobus.com/2007/12/07/the-role-of-a-music-producer-explained/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
	</channel>
</rss>
<!-- This Quick Cache file was built for (  thestereobus.com/tag/artist/feed/ ) in 0.32434 seconds, on May 21st, 2012 at 8:07 pm UTC. -->
<!-- This Quick Cache file will automatically expire ( and be re-built automatically ) on May 21st, 2012 at 9:07 pm UTC -->
