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	<title>Music Production Tips - The Stereo Bus Blog</title>
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	<link>http://thestereobus.com</link>
	<description>Music production, pro audio and engineering tips &#38; secrets.</description>
	<lastBuildDate>Mon, 30 Apr 2012 05:04:22 +0000</lastBuildDate>
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		<title>Steve Albini Dishes on His Approach to Recording Drums</title>
		<link>http://thestereobus.com/2012/04/29/steve-albini-dishes-on-his-approach-to-recording-drums/</link>
		<comments>http://thestereobus.com/2012/04/29/steve-albini-dishes-on-his-approach-to-recording-drums/#comments</comments>
		<pubDate>Mon, 30 Apr 2012 04:56:59 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[Drums]]></category>
		<category><![CDATA[Tracking]]></category>
		<category><![CDATA[drums]]></category>
		<category><![CDATA[physics]]></category>
		<category><![CDATA[steve albini]]></category>
		<category><![CDATA[tracking]]></category>

		<guid isPermaLink="false">http://thestereobus.com/?p=486</guid>
		<description><![CDATA[Albini's beautifully opinionated approach to recording is perhaps most evident recording drums, capturing the instrument in an authentic way.]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Mic Placement for Metal Guitar (Video)</title>
		<link>http://thestereobus.com/2012/04/15/mic-placement-for-metal-guitar-video/</link>
		<comments>http://thestereobus.com/2012/04/15/mic-placement-for-metal-guitar-video/#comments</comments>
		<pubDate>Sun, 15 Apr 2012 23:56:29 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[Microphones]]></category>
		<category><![CDATA[Placement]]></category>
		<category><![CDATA[Tracking]]></category>
		<category><![CDATA[diesel]]></category>
		<category><![CDATA[maxon]]></category>
		<category><![CDATA[metal]]></category>
		<category><![CDATA[mic]]></category>
		<category><![CDATA[placement]]></category>
		<category><![CDATA[video]]></category>

		<guid isPermaLink="false">http://thestereobus.com/?p=480</guid>
		<description><![CDATA[A brilliant video on mic placement &#038; axis positioning for recording metal guitars.]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Mixing with Headphones: Avoiding Disaster</title>
		<link>http://thestereobus.com/2012/03/26/mixing-with-headphones-avoiding-disaster/</link>
		<comments>http://thestereobus.com/2012/03/26/mixing-with-headphones-avoiding-disaster/#comments</comments>
		<pubDate>Tue, 27 Mar 2012 02:17:32 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[Headphones]]></category>
		<category><![CDATA[Mixing]]></category>
		<category><![CDATA[headphones]]></category>
		<category><![CDATA[mixing]]></category>
		<category><![CDATA[tips]]></category>

		<guid isPermaLink="false">http://thestereobus.com/?p=473</guid>
		<description><![CDATA[If you absolutely must mix with headphones, here are some tips to help avoid the biggest mistakes people make.]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Why 24/192 HD Audio Distribution Does More Harm Than Good</title>
		<link>http://thestereobus.com/2012/03/06/why-24192-hd-audio-distribution-does-more-harm-than-good/</link>
		<comments>http://thestereobus.com/2012/03/06/why-24192-hd-audio-distribution-does-more-harm-than-good/#comments</comments>
		<pubDate>Tue, 06 Mar 2012 21:13:05 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[Sample Rates]]></category>
		<category><![CDATA[192]]></category>
		<category><![CDATA[24]]></category>
		<category><![CDATA[bitrate]]></category>
		<category><![CDATA[christopher monty montgomery]]></category>
		<category><![CDATA[dvd audio]]></category>
		<category><![CDATA[hd]]></category>
		<category><![CDATA[high-definition]]></category>
		<category><![CDATA[sampling rate]]></category>
		<category><![CDATA[xiph.org]]></category>

		<guid isPermaLink="false">http://thestereobus.com/?p=469</guid>
		<description><![CDATA[Today I read an excellent writeup on the tribulations of distributing music at &#8220;HD&#8221; quality like 192khz/24bit. In his writeup he goes over some of the very things I&#8217;ve brought up in the past: harmonic distortion introduced by ultrasonic frequencies, storage considerations, and the extremely well-documented limits to human hearing. Christopher “Monty” Montgomery, an expert [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>The Importance of a Great Mixdown Before Mastering.</title>
		<link>http://thestereobus.com/2011/12/15/the-importance-of-a-great-mixdown-before-mastering/</link>
		<comments>http://thestereobus.com/2011/12/15/the-importance-of-a-great-mixdown-before-mastering/#comments</comments>
		<pubDate>Fri, 16 Dec 2011 04:16:14 +0000</pubDate>
		<dc:creator>Barry Gardner</dc:creator>
				<category><![CDATA[Mastering]]></category>
		<category><![CDATA[Mixing]]></category>
		<category><![CDATA[mastering]]></category>
		<category><![CDATA[mix]]></category>
		<category><![CDATA[mixdown]]></category>

		<guid isPermaLink="false">http://thestereobus.com/?p=458</guid>
		<description><![CDATA[In an ideal world once music has been mixed it would simply be committed to cd or uploaded ready for distribution. In some rare occasions this does happen, though it is fairly uncommon.]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Kanye West: An Inspiring Look at Recontextualizing with Samples</title>
		<link>http://thestereobus.com/2011/10/19/kanye-west-an-inspiring-look-at-recontextualizing-with-samples/</link>
		<comments>http://thestereobus.com/2011/10/19/kanye-west-an-inspiring-look-at-recontextualizing-with-samples/#comments</comments>
		<pubDate>Wed, 19 Oct 2011 06:25:53 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[Sampling]]></category>
		<category><![CDATA[kanye west]]></category>
		<category><![CDATA[sampling]]></category>
		<category><![CDATA[video]]></category>

		<guid isPermaLink="false">http://thestereobus.com/?p=450</guid>
		<description><![CDATA[Love him or hate him, Kanye West does a great job of making catchy songs from classic samples. For me, being primarily a rock producer, I often neglect the inspiring sounding board that an excellent sample can be. This video demonstrates the original samples used in some of Kanye West&#8217;s hits both in their original [...]]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Making Synth Patches: Video Tutorials</title>
		<link>http://thestereobus.com/2011/10/02/making-synth-patches-video-tutorials/</link>
		<comments>http://thestereobus.com/2011/10/02/making-synth-patches-video-tutorials/#comments</comments>
		<pubDate>Sun, 02 Oct 2011 06:49:52 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[Synth]]></category>
		<category><![CDATA[filter]]></category>
		<category><![CDATA[modulation]]></category>
		<category><![CDATA[oscillators]]></category>
		<category><![CDATA[synthesis]]></category>
		<category><![CDATA[video]]></category>

		<guid isPermaLink="false">http://thestereobus.com/?p=440</guid>
		<description><![CDATA[If you've ever wanted to learn more about the fundamental ingredients in making a synth patch, you owe it to yourself to check this series out.]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>How to Bounce or Consolidate Tracks for Archiving or Mixing</title>
		<link>http://thestereobus.com/2011/09/25/how-to-bounce-or-consolidate-tracks-for-archiving-or-mixing/</link>
		<comments>http://thestereobus.com/2011/09/25/how-to-bounce-or-consolidate-tracks-for-archiving-or-mixing/#comments</comments>
		<pubDate>Mon, 26 Sep 2011 02:50:13 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[Archving]]></category>
		<category><![CDATA[DAWs]]></category>

		<guid isPermaLink="false">http://thestereobus.com/?p=160</guid>
		<description><![CDATA[One of the worst things to happen, in my opinion, is to have material locked in a particular proprietary DAW format.  Most DAW software stores its session data in non-interchangeable formats that can only be opened by that particular DAW package.  It gets worse when you factor in version changes.  Most software is designed to [...]]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Hammond B3 and Leslie Recording Techniques</title>
		<link>http://thestereobus.com/2011/09/16/hammond-b3-and-leslie-recording-techniques/</link>
		<comments>http://thestereobus.com/2011/09/16/hammond-b3-and-leslie-recording-techniques/#comments</comments>
		<pubDate>Fri, 16 Sep 2011 06:03:09 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[Hammond B3]]></category>
		<category><![CDATA[Leslie Speakers]]></category>
		<category><![CDATA[Mixing]]></category>
		<category><![CDATA[Tracking]]></category>
		<category><![CDATA[b3]]></category>
		<category><![CDATA[hammond]]></category>
		<category><![CDATA[leslie]]></category>
		<category><![CDATA[miking]]></category>
		<category><![CDATA[mixing]]></category>
		<category><![CDATA[tracking]]></category>

		<guid isPermaLink="false">http://thestereobus.com/?p=283</guid>
		<description><![CDATA[One of the most challenging and unique contemporary instruments that you&#8217;ll encounter working in professional studios is the Hammond B3 Organ and Lesie Cabinet combination. A prolific, immediately recognizable sound that is very difficult to reproduce without the real deal, the warm tone bars of the Hammond combine with the tube saturation and modulation effects [...]]]></description>
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		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>DIY Acoustic Panel Bass Traps: Treating Your Room Right</title>
		<link>http://thestereobus.com/2011/07/26/diy-acoustic-bass-traps-treating-your-room-right/</link>
		<comments>http://thestereobus.com/2011/07/26/diy-acoustic-bass-traps-treating-your-room-right/#comments</comments>
		<pubDate>Tue, 26 Jul 2011 07:25:21 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[Acoustics]]></category>
		<category><![CDATA[DIY]]></category>
		<category><![CDATA[703]]></category>
		<category><![CDATA[acoustics]]></category>
		<category><![CDATA[bass]]></category>
		<category><![CDATA[insulation]]></category>
		<category><![CDATA[owens corning]]></category>
		<category><![CDATA[panels]]></category>
		<category><![CDATA[resonance]]></category>
		<category><![CDATA[Room]]></category>
		<category><![CDATA[trap]]></category>
		<category><![CDATA[treatment]]></category>

		<guid isPermaLink="false">http://thestereobus.com/?p=268</guid>
		<description><![CDATA[Build super-effective DIY bass traps acoustic treatments for around $75 a panel.]]></description>
		<wfw:commentRss>http://thestereobus.com/2011/07/26/diy-acoustic-bass-traps-treating-your-room-right/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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