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	<title>Music Production Tips - The Stereo Bus Blog</title>
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	<link>http://thestereobus.com</link>
	<description>Music production, pro audio and engineering tips &#38; secrets.</description>
	<pubDate>Thu, 07 May 2009 06:03:48 +0000</pubDate>
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		<title>Update: Sped up the blog.</title>
		<link>http://thestereobus.com/2009/05/06/update-sped-up-the-blog/</link>
		<comments>http://thestereobus.com/2009/05/06/update-sped-up-the-blog/#comments</comments>
		<pubDate>Thu, 07 May 2009 00:47:17 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
		
		<category><![CDATA[music producer]]></category>

		<guid isPermaLink="false">http://thestereobus.com/?p=200</guid>
		<description><![CDATA[Thought I&#8217;d mention that I did some cleaning and tweaking of TSB today.  Should be loading faster and be a little easier to get around.










]]></description>
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		<item>
		<title>Review: Ohm Force Ohmicide Distortion Plugin</title>
		<link>http://thestereobus.com/2009/05/06/review-ohm-force-ohmicide-distortion-plugin/</link>
		<comments>http://thestereobus.com/2009/05/06/review-ohm-force-ohmicide-distortion-plugin/#comments</comments>
		<pubDate>Wed, 06 May 2009 22:33:42 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
		
		<category><![CDATA[creative commons]]></category>

		<category><![CDATA[distortion]]></category>

		<category><![CDATA[music producer]]></category>

		<category><![CDATA[multiband]]></category>

		<category><![CDATA[ohm force]]></category>

		<category><![CDATA[ohmicide]]></category>

		<category><![CDATA[plugin]]></category>

		<category><![CDATA[review]]></category>

		<guid isPermaLink="false">http://thestereobus.com/?p=184</guid>
		<description><![CDATA[Last post I took some time to write up a review for Ohm Force&#8217;s Symptohm synthesizer.  This time around I&#8217;ll be looking at their Ohmicide multiband distortion plugin.  I&#8217;m a sucker for distortions and was pretty excited to give it a spin.
Ohmicide is one of the most flexible distortions I&#8217;ve found with four bands of [...]]]></description>
		<wfw:commentRss>http://thestereobus.com/2009/05/06/review-ohm-force-ohmicide-distortion-plugin/feed/</wfw:commentRss>
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		<title>Review: Ohm Force Symptohm Synth Plugin</title>
		<link>http://thestereobus.com/2009/04/10/review-ohm-force-symptohm-synth-plugin/</link>
		<comments>http://thestereobus.com/2009/04/10/review-ohm-force-symptohm-synth-plugin/#comments</comments>
		<pubDate>Sat, 11 Apr 2009 03:50:29 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
		
		<category><![CDATA[advanced]]></category>

		<category><![CDATA[music producer]]></category>

		<category><![CDATA[review]]></category>

		<category><![CDATA[synthesis]]></category>

		<category><![CDATA[boards of canada]]></category>

		<category><![CDATA[native instruments]]></category>

		<category><![CDATA[ohm force]]></category>

		<category><![CDATA[parameters]]></category>

		<category><![CDATA[plugin]]></category>

		<category><![CDATA[tweaking]]></category>

		<category><![CDATA[virtual instrument]]></category>

		<guid isPermaLink="false">http://thestereobus.com/?p=164</guid>
		<description><![CDATA[The guys over at Ohm Force, an indie plugin development group out of Paris, asked me if I wanted to do a review of some of their plugins.  I was happy to do so, as long as I could give an honest appraisal.  So in this post I&#8217;ll be reviewing one of the four plugs [...]]]></description>
		<wfw:commentRss>http://thestereobus.com/2009/04/10/review-ohm-force-symptohm-synth-plugin/feed/</wfw:commentRss>
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		<title>How Do I Get My Songs to Play at the Same Volume?</title>
		<link>http://thestereobus.com/2009/02/11/how-do-i-get-my-songs-to-play-at-the-same-volume/</link>
		<comments>http://thestereobus.com/2009/02/11/how-do-i-get-my-songs-to-play-at-the-same-volume/#comments</comments>
		<pubDate>Wed, 11 Feb 2009 13:00:03 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
		
		<category><![CDATA[advanced]]></category>

		<category><![CDATA[gain]]></category>

		<category><![CDATA[replaygain]]></category>

		<category><![CDATA[samples]]></category>

		<category><![CDATA[foobar 2000]]></category>

		<category><![CDATA[ipods]]></category>

		<category><![CDATA[itunes]]></category>

		<category><![CDATA[soundcheck]]></category>

		<category><![CDATA[tags]]></category>

		<category><![CDATA[volume]]></category>

		<guid isPermaLink="false">http://thestereobus.com/?p=147</guid>
		<description><![CDATA[This article isn&#8217;t about mastering a CD so that the songs are all at the same perceived volume, it&#8217;s about getting your music collection to play back at reasonable volumes relative to each other.  It&#8217;s also about providing this feature to your digital distribution customers.
I&#8217;m sure you&#8217;ve at some point put your music collection into [...]]]></description>
		<wfw:commentRss>http://thestereobus.com/2009/02/11/how-do-i-get-my-songs-to-play-at-the-same-volume/feed/</wfw:commentRss>
		</item>
		<item>
		<title>How to Add a Subwoofer to Your Monitor System</title>
		<link>http://thestereobus.com/2009/02/07/how-to-add-a-subwoofer-to-your-monitor-system/</link>
		<comments>http://thestereobus.com/2009/02/07/how-to-add-a-subwoofer-to-your-monitor-system/#comments</comments>
		<pubDate>Sat, 07 Feb 2009 19:56:02 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
		
		<category><![CDATA[Intermediate]]></category>

		<category><![CDATA[monitoring]]></category>

		<category><![CDATA[subwoofer]]></category>

		<category><![CDATA[cross-over]]></category>

		<category><![CDATA[frequency]]></category>

		<category><![CDATA[headroom]]></category>

		<category><![CDATA[monitors]]></category>

		<category><![CDATA[phase]]></category>

		<category><![CDATA[resonance]]></category>

		<guid isPermaLink="false">http://thestereobus.com/?p=138</guid>
		<description><![CDATA[So you want to add a subwoofer to your monitor setup?  Studio subwoofers can be tricky things that require a little bit of audio soul searching, auditioning, and planning to pull off well.  But, a well integrated sub can make a world of difference in the right circumstances.
I, for example, just added a [...]]]></description>
		<wfw:commentRss>http://thestereobus.com/2009/02/07/how-to-add-a-subwoofer-to-your-monitor-system/feed/</wfw:commentRss>
		</item>
		<item>
		<title>Small Update - San Francisco Mixing Facility</title>
		<link>http://thestereobus.com/2009/01/19/small-update-san-francisco/</link>
		<comments>http://thestereobus.com/2009/01/19/small-update-san-francisco/#comments</comments>
		<pubDate>Tue, 20 Jan 2009 03:10:24 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
		
		<category><![CDATA[music producer]]></category>

		<guid isPermaLink="false">http://thestereobus.com/?p=135</guid>
		<description><![CDATA[As some of you may be aware, I am presently focusing more on web development than on audio in an effort to save up some funds to move to San Francisco.  This hasn&#8217;t left me with much time for writing.  The good news for all of you, however, is that reason for the savings is [...]]]></description>
		<wfw:commentRss>http://thestereobus.com/2009/01/19/small-update-san-francisco/feed/</wfw:commentRss>
		</item>
		<item>
		<title>Mastering Session at Rare Form Mastering</title>
		<link>http://thestereobus.com/2008/11/03/mastering-session-at-rare-form-mastering/</link>
		<comments>http://thestereobus.com/2008/11/03/mastering-session-at-rare-form-mastering/#comments</comments>
		<pubDate>Tue, 04 Nov 2008 04:41:46 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
		
		<category><![CDATA[Intermediate]]></category>

		<category><![CDATA[mastering]]></category>

		<category><![CDATA[compression]]></category>

		<category><![CDATA[greg reierson]]></category>

		<category><![CDATA[limiting]]></category>

		<category><![CDATA[love & affection]]></category>

		<category><![CDATA[presence]]></category>

		<category><![CDATA[rare form mastering]]></category>

		<category><![CDATA[requisite audio]]></category>

		<category><![CDATA[tube]]></category>

		<category><![CDATA[waves]]></category>

		<category><![CDATA[z-systems]]></category>

		<guid isPermaLink="false">http://thestereobus.com/?p=129</guid>
		<description><![CDATA[This post is about the mastering process for my latest EP.  The session was booked at Minneapolis&#8217; Rare Form Mastering.  Greg Reierson took the helm and did a really solid job overall.
First of all, I&#8217;m not the sort of producer who does mastering the same way for each album.  For my own material, I prefer [...]]]></description>
		<wfw:commentRss>http://thestereobus.com/2008/11/03/mastering-session-at-rare-form-mastering/feed/</wfw:commentRss>
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		<item>
		<title>My New EP, Love &amp; Affection, is a free download!</title>
		<link>http://thestereobus.com/2008/08/20/my-new-ep-love-affection-is-a-free-download/</link>
		<comments>http://thestereobus.com/2008/08/20/my-new-ep-love-affection-is-a-free-download/#comments</comments>
		<pubDate>Wed, 20 Aug 2008 15:49:08 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
		
		<category><![CDATA[creative commons]]></category>

		<category><![CDATA[album]]></category>

		<category><![CDATA[dan connor]]></category>

		<category><![CDATA[EP]]></category>

		<guid isPermaLink="false">http://thestereobus.com/?p=125</guid>
		<description><![CDATA[I&#8217;ve completed work on my latest release, Love &#38; Affection, which is available as a free download.
Please take a listen and pass it along!  It&#8217;s Creative Commons.










]]></description>
		<wfw:commentRss>http://thestereobus.com/2008/08/20/my-new-ep-love-affection-is-a-free-download/feed/</wfw:commentRss>
		</item>
		<item>
		<title>The Second Opinion of Friends and Colleagues</title>
		<link>http://thestereobus.com/2008/03/23/the-second-opinion-of-friends-and-colleagues/</link>
		<comments>http://thestereobus.com/2008/03/23/the-second-opinion-of-friends-and-colleagues/#comments</comments>
		<pubDate>Mon, 24 Mar 2008 03:44:00 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
		
		<category><![CDATA[Intermediate]]></category>

		<category><![CDATA[second opinions]]></category>

		<category><![CDATA[ambience]]></category>

		<category><![CDATA[choir]]></category>

		<category><![CDATA[de-esser]]></category>

		<category><![CDATA[dry]]></category>

		<category><![CDATA[listening]]></category>

		<category><![CDATA[orchestral]]></category>

		<category><![CDATA[samples]]></category>

		<category><![CDATA[sharing]]></category>

		<category><![CDATA[strings]]></category>

		<category><![CDATA[theatrical]]></category>

		<category><![CDATA[wet]]></category>

		<category><![CDATA[work]]></category>

		<guid isPermaLink="false">http://thestereobus.com/2008/03/23/the-second-opinion-of-friends-and-colleagues/</guid>
		<description><![CDATA[This post is about sharing our work with other musicians, producers, and folks in-the-know that we trust to get a second opinion on things.
A couple of days ago I was sitting on my computer getting ready to do some work when a friend of mine from high school came online.  He&#8217;s been doing very well [...]]]></description>
		<wfw:commentRss>http://thestereobus.com/2008/03/23/the-second-opinion-of-friends-and-colleagues/feed/</wfw:commentRss>
		</item>
		<item>
		<title>How to Hum Your Way to Better Compositions</title>
		<link>http://thestereobus.com/2008/03/22/humming-your-way-to-better-compositions/</link>
		<comments>http://thestereobus.com/2008/03/22/humming-your-way-to-better-compositions/#comments</comments>
		<pubDate>Sat, 22 Mar 2008 13:28:16 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
		
		<category><![CDATA[Intermediate]]></category>

		<category><![CDATA[composing]]></category>

		<category><![CDATA[humming]]></category>

		<category><![CDATA[inuitive]]></category>

		<category><![CDATA[recording]]></category>

		<guid isPermaLink="false">http://thestereobus.com/2008/03/22/humming-your-way-to-better-compositions/</guid>
		<description><![CDATA[This post focuses on the somewhat strange practice of humming to compose music.
At some point in my songwriting process I got tired of the pressure of trying to perform parts as I composed them.  Ever since I  was a kid I would hum and form musical parts with my mouth by vocalizing what, in effect, [...]]]></description>
		<wfw:commentRss>http://thestereobus.com/2008/03/22/humming-your-way-to-better-compositions/feed/</wfw:commentRss>
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