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	<title>Comments for Music Production Tips - The Stereo Bus Blog</title>
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	<link>http://thestereobus.com</link>
	<description>Music production, pro audio and engineering tips &#38; secrets.</description>
	<lastBuildDate>Sat, 19 May 2012 05:34:12 +0000</lastBuildDate>
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		<title>Comment on How to Add a Subwoofer to Your Monitor System by Dan Connor</title>
		<link>http://thestereobus.com/2009/02/07/how-to-add-a-subwoofer-to-your-monitor-system/comment-page-1/#comment-38514</link>
		<dc:creator>Dan Connor</dc:creator>
		<pubDate>Sat, 19 May 2012 05:34:12 +0000</pubDate>
		<guid isPermaLink="false">http://thestereobus.com/?p=138#comment-38514</guid>
		<description>Thanks!  I sold my sub recently because I&#039;m in a new space and don&#039;t really need it.  Remember you can generally buy equipment again (unless it&#039;s something really rare), so don&#039;t hoard things you don&#039;t need.  Spend that hard-earned money on something you&#039;ll use! :)</description>
		<content:encoded><![CDATA[<p>Thanks!  I sold my sub recently because I&#8217;m in a new space and don&#8217;t really need it.  Remember you can generally buy equipment again (unless it&#8217;s something really rare), so don&#8217;t hoard things you don&#8217;t need.  Spend that hard-earned money on something you&#8217;ll use! :)</p>
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		<title>Comment on The &#8220;Lost&#8221; Art of Audio Engineering: Drums, Live Music, iPods by Dan Connor</title>
		<link>http://thestereobus.com/2011/05/29/the-lost-art-of-audio-engineering-drums-live-music-ipods/comment-page-1/#comment-38513</link>
		<dc:creator>Dan Connor</dc:creator>
		<pubDate>Sat, 19 May 2012 05:33:10 +0000</pubDate>
		<guid isPermaLink="false">http://thestereobus.com/?p=246#comment-38513</guid>
		<description>Indeed.  I stand by my assertion that drums sounds are still the mark of a professional studio.  Even with the amazing sample libraries out today you can&#039;t get that lush room sound that you can get in a real studio with real mics.  And let&#039;s not forget the special magic you&#039;ll never get by overdubbing: the chemistry and the subtle bleed between microphones.</description>
		<content:encoded><![CDATA[<p>Indeed.  I stand by my assertion that drums sounds are still the mark of a professional studio.  Even with the amazing sample libraries out today you can&#8217;t get that lush room sound that you can get in a real studio with real mics.  And let&#8217;s not forget the special magic you&#8217;ll never get by overdubbing: the chemistry and the subtle bleed between microphones.</p>
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		<title>Comment on Mixing with Headphones: Avoiding Disaster by Dan Connor</title>
		<link>http://thestereobus.com/2012/03/26/mixing-with-headphones-avoiding-disaster/comment-page-1/#comment-38512</link>
		<dc:creator>Dan Connor</dc:creator>
		<pubDate>Sat, 19 May 2012 05:30:43 +0000</pubDate>
		<guid isPermaLink="false">http://thestereobus.com/?p=473#comment-38512</guid>
		<description>Yeah, if you can reference on many sources it might work out but I&#039;ve found once you grow accustomed to hearing the mix on headphones it&#039;s hard to regain enough objectivity to undo &quot;headphonitis&quot; unless you leave the track for a month or something.</description>
		<content:encoded><![CDATA[<p>Yeah, if you can reference on many sources it might work out but I&#8217;ve found once you grow accustomed to hearing the mix on headphones it&#8217;s hard to regain enough objectivity to undo &#8220;headphonitis&#8221; unless you leave the track for a month or something.</p>
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		<title>Comment on Mixing with Headphones: Avoiding Disaster by ParanoidHumanoid</title>
		<link>http://thestereobus.com/2012/03/26/mixing-with-headphones-avoiding-disaster/comment-page-1/#comment-32813</link>
		<dc:creator>ParanoidHumanoid</dc:creator>
		<pubDate>Tue, 17 Apr 2012 21:47:01 +0000</pubDate>
		<guid isPermaLink="false">http://thestereobus.com/?p=473#comment-32813</guid>
		<description>Good advice. I am currently going to school for audio engineering, and for the most part we all use headphones to mix on Pro Tools. I definitely notice the difference in my mix between speakers and headphones. It&#039;s all about quality control and adjusting levels for a perfect blended mix of soundwaves.</description>
		<content:encoded><![CDATA[<p>Good advice. I am currently going to school for audio engineering, and for the most part we all use headphones to mix on Pro Tools. I definitely notice the difference in my mix between speakers and headphones. It&#8217;s all about quality control and adjusting levels for a perfect blended mix of soundwaves.</p>
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		<title>Comment on The &#8220;Lost&#8221; Art of Audio Engineering: Drums, Live Music, iPods by Mengmar</title>
		<link>http://thestereobus.com/2011/05/29/the-lost-art-of-audio-engineering-drums-live-music-ipods/comment-page-1/#comment-30541</link>
		<dc:creator>Mengmar</dc:creator>
		<pubDate>Thu, 29 Mar 2012 09:30:16 +0000</pubDate>
		<guid isPermaLink="false">http://thestereobus.com/?p=246#comment-30541</guid>
		<description>It is impossible to record music in a bedroom and get it to the kind of quality that you can get in a studio...do you honestly think the great album that is &#039;Nevermind&#039; by &#039;Nirvana&#039; would have had the same impact if it was mixed on a computer in bedroom.
The production on that album was just as important as the great songs on it.
I would love the oportunity to record in a proper studio utilising the knowledge of professional sound engineers but instead i am stuck in a bedroom with mediocre equipment and ending up with mediocre recordings but dare i say it i have great songs that would benefit greatly from a studio.
I also agree with the bit about how people listen to music nowadays has lost it&#039;s appreciation for quality and people use inferior quality speakers and formats (in order to save space) and for people who arn&#039;t in the know this is fine as they can&#039;t tell the difference between an early beatles recording from the more professional recordings that came after thanks to inovations in the industry.
But for people with a more discerning ear like myself this just isn&#039;t enough.</description>
		<content:encoded><![CDATA[<p>It is impossible to record music in a bedroom and get it to the kind of quality that you can get in a studio&#8230;do you honestly think the great album that is &#8216;Nevermind&#8217; by &#8216;Nirvana&#8217; would have had the same impact if it was mixed on a computer in bedroom.<br />
The production on that album was just as important as the great songs on it.<br />
I would love the oportunity to record in a proper studio utilising the knowledge of professional sound engineers but instead i am stuck in a bedroom with mediocre equipment and ending up with mediocre recordings but dare i say it i have great songs that would benefit greatly from a studio.<br />
I also agree with the bit about how people listen to music nowadays has lost it&#8217;s appreciation for quality and people use inferior quality speakers and formats (in order to save space) and for people who arn&#8217;t in the know this is fine as they can&#8217;t tell the difference between an early beatles recording from the more professional recordings that came after thanks to inovations in the industry.<br />
But for people with a more discerning ear like myself this just isn&#8217;t enough.</p>
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		<title>Comment on Mixing with Headphones: Avoiding Disaster by Nick Lewis</title>
		<link>http://thestereobus.com/2012/03/26/mixing-with-headphones-avoiding-disaster/comment-page-1/#comment-30486</link>
		<dc:creator>Nick Lewis</dc:creator>
		<pubDate>Wed, 28 Mar 2012 09:01:04 +0000</pubDate>
		<guid isPermaLink="false">http://thestereobus.com/?p=473#comment-30486</guid>
		<description>Great tips - headphones can be very misleading. Worth remembering how useful they can be even when you do have a great monitoring set up though. It&#039;s always good to have another perspective, and a good pair can make tiny details easier to hear.</description>
		<content:encoded><![CDATA[<p>Great tips &#8211; headphones can be very misleading. Worth remembering how useful they can be even when you do have a great monitoring set up though. It&#8217;s always good to have another perspective, and a good pair can make tiny details easier to hear.</p>
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		<title>Comment on How to Add a Subwoofer to Your Monitor System by Bobby</title>
		<link>http://thestereobus.com/2009/02/07/how-to-add-a-subwoofer-to-your-monitor-system/comment-page-1/#comment-27833</link>
		<dc:creator>Bobby</dc:creator>
		<pubDate>Thu, 23 Feb 2012 09:19:50 +0000</pubDate>
		<guid isPermaLink="false">http://thestereobus.com/?p=138#comment-27833</guid>
		<description>I just read this section on how to add a sub to your monitoring system and it has been highly helpful. I just bought a krk sub to go with my mackie monitors and I really should have studied up on this stuff before I went and got the sub. I knew i would need some bass traps but I didn&#039;t realize how tricky this addition could be. I am thinking about giving up on the sub idea at least until I have a bigger room and the funds to invest in a lot of sound proofing. I am experiencing a lot of cancelation and the crossover is really tricky. I think I will give it one more try before I decide to get rid of my sub. But at least I know what I am getting myself into after reading this. Just wanted to say thanks to Dan for all the tips.</description>
		<content:encoded><![CDATA[<p>I just read this section on how to add a sub to your monitoring system and it has been highly helpful. I just bought a krk sub to go with my mackie monitors and I really should have studied up on this stuff before I went and got the sub. I knew i would need some bass traps but I didn&#8217;t realize how tricky this addition could be. I am thinking about giving up on the sub idea at least until I have a bigger room and the funds to invest in a lot of sound proofing. I am experiencing a lot of cancelation and the crossover is really tricky. I think I will give it one more try before I decide to get rid of my sub. But at least I know what I am getting myself into after reading this. Just wanted to say thanks to Dan for all the tips.</p>
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		<title>Comment on Sample Rate and Bitrate: The Guts of Digital Audio by Dan Connor</title>
		<link>http://thestereobus.com/2008/01/12/sample-rate-and-bitrate-the-guts-of-digital-audio/comment-page-1/#comment-27691</link>
		<dc:creator>Dan Connor</dc:creator>
		<pubDate>Tue, 21 Feb 2012 22:42:18 +0000</pubDate>
		<guid isPermaLink="false">http://thestereobus.com/2008/01/12/sample-rate-and-bitrate-the-guts-of-digital-audio/#comment-27691</guid>
		<description>I believe you&#039;re correct, Lee.</description>
		<content:encoded><![CDATA[<p>I believe you&#8217;re correct, Lee.</p>
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		<title>Comment on Sample Rate and Bitrate: The Guts of Digital Audio by Dan Connor</title>
		<link>http://thestereobus.com/2008/01/12/sample-rate-and-bitrate-the-guts-of-digital-audio/comment-page-1/#comment-27690</link>
		<dc:creator>Dan Connor</dc:creator>
		<pubDate>Tue, 21 Feb 2012 22:42:05 +0000</pubDate>
		<guid isPermaLink="false">http://thestereobus.com/2008/01/12/sample-rate-and-bitrate-the-guts-of-digital-audio/#comment-27690</guid>
		<description>Cheers Kunal!</description>
		<content:encoded><![CDATA[<p>Cheers Kunal!</p>
]]></content:encoded>
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		<title>Comment on Sample Rate and Bitrate: The Guts of Digital Audio by Kunal</title>
		<link>http://thestereobus.com/2008/01/12/sample-rate-and-bitrate-the-guts-of-digital-audio/comment-page-1/#comment-27688</link>
		<dc:creator>Kunal</dc:creator>
		<pubDate>Tue, 21 Feb 2012 21:57:39 +0000</pubDate>
		<guid isPermaLink="false">http://thestereobus.com/2008/01/12/sample-rate-and-bitrate-the-guts-of-digital-audio/#comment-27688</guid>
		<description>This is very very well explained. Thanks a lot :-) I may include this in my blog in future.</description>
		<content:encoded><![CDATA[<p>This is very very well explained. Thanks a lot :-) I may include this in my blog in future.</p>
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