<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Music Production Tips - The Stereo Bus Blog &#187; Workflows</title>
	<atom:link href="http://thestereobus.com/category/workflows/feed/" rel="self" type="application/rss+xml" />
	<link>http://thestereobus.com</link>
	<description>Music production, pro audio and engineering tips &#38; secrets.</description>
	<lastBuildDate>Fri, 16 Dec 2011 04:19:46 +0000</lastBuildDate>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.3.1</generator>
		<item>
		<title>The Importance of a Great Mixdown Before Mastering.</title>
		<link>http://thestereobus.com/2011/12/15/the-importance-of-a-great-mixdown-before-mastering/</link>
		<comments>http://thestereobus.com/2011/12/15/the-importance-of-a-great-mixdown-before-mastering/#comments</comments>
		<pubDate>Fri, 16 Dec 2011 04:16:14 +0000</pubDate>
		<dc:creator>Barry Gardner</dc:creator>
				<category><![CDATA[Mastering]]></category>
		<category><![CDATA[Mixing]]></category>
		<category><![CDATA[mastering]]></category>
		<category><![CDATA[mix]]></category>
		<category><![CDATA[mixdown]]></category>

		<guid isPermaLink="false">http://thestereobus.com/?p=458</guid>
		<description><![CDATA[In an ideal world once music has been mixed it would simply be committed to cd or uploaded ready for distribution. In some rare occasions this does happen, though it is fairly uncommon.]]></description>
		<wfw:commentRss>http://thestereobus.com/2011/12/15/the-importance-of-a-great-mixdown-before-mastering/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>How to Bounce or Consolidate Tracks for Archiving or Mixing</title>
		<link>http://thestereobus.com/2011/09/25/how-to-bounce-or-consolidate-tracks-for-archiving-or-mixing/</link>
		<comments>http://thestereobus.com/2011/09/25/how-to-bounce-or-consolidate-tracks-for-archiving-or-mixing/#comments</comments>
		<pubDate>Mon, 26 Sep 2011 02:50:13 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[Archving]]></category>
		<category><![CDATA[DAWs]]></category>

		<guid isPermaLink="false">http://thestereobus.com/?p=160</guid>
		<description><![CDATA[One of the worst things to happen, in my opinion, is to have material locked in a particular proprietary DAW format.  Most DAW software stores its session data in non-interchangeable formats that can only be opened by that particular DAW package.  It gets worse when you factor in version changes.  Most software is designed to [...]]]></description>
		<wfw:commentRss>http://thestereobus.com/2011/09/25/how-to-bounce-or-consolidate-tracks-for-archiving-or-mixing/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Hammond B3 and Leslie Recording Techniques</title>
		<link>http://thestereobus.com/2011/09/16/hammond-b3-and-leslie-recording-techniques/</link>
		<comments>http://thestereobus.com/2011/09/16/hammond-b3-and-leslie-recording-techniques/#comments</comments>
		<pubDate>Fri, 16 Sep 2011 06:03:09 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[Hammond B3]]></category>
		<category><![CDATA[Leslie Speakers]]></category>
		<category><![CDATA[Mixing]]></category>
		<category><![CDATA[Tracking]]></category>
		<category><![CDATA[b3]]></category>
		<category><![CDATA[hammond]]></category>
		<category><![CDATA[leslie]]></category>
		<category><![CDATA[miking]]></category>
		<category><![CDATA[mixing]]></category>
		<category><![CDATA[tracking]]></category>

		<guid isPermaLink="false">http://thestereobus.com/?p=283</guid>
		<description><![CDATA[One of the most challenging and unique contemporary instruments that you&#8217;ll encounter working in professional studios is the Hammond B3 Organ and Lesie Cabinet combination. A prolific, immediately recognizable sound that is very difficult to reproduce without the real deal, the warm tone bars of the Hammond combine with the tube saturation and modulation effects [...]]]></description>
		<wfw:commentRss>http://thestereobus.com/2011/09/16/hammond-b3-and-leslie-recording-techniques/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Mono Sources in a Stereo World &#8211; Michael Franti @ RNC</title>
		<link>http://thestereobus.com/2009/07/14/mono-sources-in-a-stereo-world-michael-franti-rnc/</link>
		<comments>http://thestereobus.com/2009/07/14/mono-sources-in-a-stereo-world-michael-franti-rnc/#comments</comments>
		<pubDate>Tue, 14 Jul 2009 22:04:21 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[Delay]]></category>
		<category><![CDATA[Effects]]></category>
		<category><![CDATA[Restoration]]></category>
		<category><![CDATA[Reverb]]></category>
		<category><![CDATA[compression]]></category>
		<category><![CDATA[deesser]]></category>
		<category><![CDATA[fairchild]]></category>
		<category><![CDATA[IR-1]]></category>
		<category><![CDATA[massive passive]]></category>
		<category><![CDATA[michael franti]]></category>
		<category><![CDATA[mono]]></category>
		<category><![CDATA[reverb]]></category>
		<category><![CDATA[rnc]]></category>
		<category><![CDATA[stereo]]></category>
		<category><![CDATA[waves]]></category>

		<guid isPermaLink="false">http://thestereobus.com/?p=203</guid>
		<description><![CDATA[Recently I was hired to finesse a rather rough live recording of Michael Franti&#8216;s performance at the protest concert outside the Republican National Convention in 2008.  The recording was done with a pair of shotgun mics placed fairly close to each other. In fact, the recording was essentially mono &#8211; probably because of the mic [...]]]></description>
		<wfw:commentRss>http://thestereobus.com/2009/07/14/mono-sources-in-a-stereo-world-michael-franti-rnc/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Mastering Session at Rare Form Mastering</title>
		<link>http://thestereobus.com/2008/11/03/mastering-session-at-rare-form-mastering/</link>
		<comments>http://thestereobus.com/2008/11/03/mastering-session-at-rare-form-mastering/#comments</comments>
		<pubDate>Tue, 04 Nov 2008 04:41:46 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[Mastering]]></category>
		<category><![CDATA[compression]]></category>
		<category><![CDATA[greg reierson]]></category>
		<category><![CDATA[limiting]]></category>
		<category><![CDATA[love & affection]]></category>
		<category><![CDATA[mastering]]></category>
		<category><![CDATA[presence]]></category>
		<category><![CDATA[rare form mastering]]></category>
		<category><![CDATA[requisite audio]]></category>
		<category><![CDATA[tube]]></category>
		<category><![CDATA[waves]]></category>
		<category><![CDATA[z-systems]]></category>

		<guid isPermaLink="false">http://thestereobus.com/?p=129</guid>
		<description><![CDATA[This post is about the mastering process for my latest EP.  The session was booked at Minneapolis&#8217; Rare Form Mastering.  Greg Reierson took the helm and did a really solid job overall. First of all, I&#8217;m not the sort of producer who does mastering the same way for each album.  For my own material, I [...]]]></description>
		<wfw:commentRss>http://thestereobus.com/2008/11/03/mastering-session-at-rare-form-mastering/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Mastering Experiment: &#8220;But They Do&#8221; with the Focusrite Liquid Mix</title>
		<link>http://thestereobus.com/2008/03/08/mastering-experiment-but-they-do-with-the-focusrite-liquid-mix/</link>
		<comments>http://thestereobus.com/2008/03/08/mastering-experiment-but-they-do-with-the-focusrite-liquid-mix/#comments</comments>
		<pubDate>Sun, 09 Mar 2008 05:30:38 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[Mastering]]></category>
		<category><![CDATA[challenge]]></category>
		<category><![CDATA[clipping]]></category>
		<category><![CDATA[compression]]></category>
		<category><![CDATA[Cubase]]></category>
		<category><![CDATA[drums]]></category>
		<category><![CDATA[experiment]]></category>
		<category><![CDATA[focusrite]]></category>
		<category><![CDATA[izotope]]></category>
		<category><![CDATA[lca-2b]]></category>
		<category><![CDATA[levels]]></category>
		<category><![CDATA[limiting]]></category>
		<category><![CDATA[liquid]]></category>
		<category><![CDATA[ludwig]]></category>
		<category><![CDATA[manley]]></category>
		<category><![CDATA[mastering]]></category>
		<category><![CDATA[mix]]></category>
		<category><![CDATA[mu]]></category>
		<category><![CDATA[ozone 3]]></category>
		<category><![CDATA[ratio]]></category>
		<category><![CDATA[strings]]></category>
		<category><![CDATA[tech]]></category>
		<category><![CDATA[tube]]></category>
		<category><![CDATA[variable]]></category>

		<guid isPermaLink="false">http://thestereobus.com/2008/03/08/mastering-experiment-but-they-do-with-the-focusrite-liquid-mix/</guid>
		<description><![CDATA[This post focuses on an experiment with my new Focusrite Liquid Mix, with which I mixed and mastered a song of mine that was in need of polishing. First of all, I will be out of town until the 19th&#8230; meaning that I won&#8217;t be making any posts here at TSB until then.  But, I [...]]]></description>
		<wfw:commentRss>http://thestereobus.com/2008/03/08/mastering-experiment-but-they-do-with-the-focusrite-liquid-mix/feed/</wfw:commentRss>
		<slash:comments>10</slash:comments>
<enclosure url="http://www.danconnor.com/Music/Full%20Songs/Dan%20Connor%20-%20But%20They%20Do.mp3" length="3719028" type="audio/mpeg" />
<enclosure url="http://thestereobus.com/wp-content/uploads/2008/03/Dan%20Connor%20-%20But%20They%20Do%20%28unmastered%20clip%29.mp3" length="2156434" type="audio/mpeg" />
		</item>
		<item>
		<title>How to Group Tracks to Save DAW CPU</title>
		<link>http://thestereobus.com/2008/03/08/how-to-group-tracks-to-save-daw-cpu/</link>
		<comments>http://thestereobus.com/2008/03/08/how-to-group-tracks-to-save-daw-cpu/#comments</comments>
		<pubDate>Sat, 08 Mar 2008 13:30:56 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[DAWs]]></category>
		<category><![CDATA[Mixing]]></category>
		<category><![CDATA[blend]]></category>
		<category><![CDATA[compression]]></category>
		<category><![CDATA[CPU]]></category>
		<category><![CDATA[daw]]></category>
		<category><![CDATA[dsp]]></category>
		<category><![CDATA[eq]]></category>
		<category><![CDATA[glue]]></category>
		<category><![CDATA[group]]></category>
		<category><![CDATA[Pro Tools]]></category>
		<category><![CDATA[processor]]></category>
		<category><![CDATA[tracks]]></category>
		<category><![CDATA[vocal]]></category>

		<guid isPermaLink="false">http://thestereobus.com/2008/03/08/how-to-group-tracks-to-save-daw-cpu/</guid>
		<description><![CDATA[This post focuses on how to group tracks to save CPU or DSP processing. When I first started mixing using a computer, I would throw up inserts on everything.  Everything was processed independently.  As you might imagine, my mixes were insanely CPU intensive and hard to manage.  Soon I realized that many of the tracks [...]]]></description>
		<wfw:commentRss>http://thestereobus.com/2008/03/08/how-to-group-tracks-to-save-daw-cpu/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>How to Create Depth in a Mix</title>
		<link>http://thestereobus.com/2008/03/06/how-to-create-depth-in-a-mix/</link>
		<comments>http://thestereobus.com/2008/03/06/how-to-create-depth-in-a-mix/#comments</comments>
		<pubDate>Thu, 06 Mar 2008 20:20:11 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[Mixing]]></category>
		<category><![CDATA[bright]]></category>
		<category><![CDATA[cathedral]]></category>
		<category><![CDATA[dark]]></category>
		<category><![CDATA[delay]]></category>
		<category><![CDATA[depth]]></category>
		<category><![CDATA[dry]]></category>
		<category><![CDATA[equalization]]></category>
		<category><![CDATA[featured]]></category>
		<category><![CDATA[feedback]]></category>
		<category><![CDATA[hall]]></category>
		<category><![CDATA[resonance]]></category>
		<category><![CDATA[reverb]]></category>
		<category><![CDATA[reverberation]]></category>
		<category><![CDATA[Room]]></category>
		<category><![CDATA[special]]></category>
		<category><![CDATA[stereo]]></category>
		<category><![CDATA[wet]]></category>

		<guid isPermaLink="false">http://thestereobus.com/2008/03/06/how-to-create-depth-in-a-mix/</guid>
		<description><![CDATA[This post focuses on the topic of creating a sense of depth in mixes. It&#8217;s not too hard to make things sound big.  It&#8217;s not too hard to make things sound wide.  But it is very hard to do both while also creating a sense of depth.  There are a myriad of tools available to [...]]]></description>
		<wfw:commentRss>http://thestereobus.com/2008/03/06/how-to-create-depth-in-a-mix/feed/</wfw:commentRss>
		<slash:comments>10</slash:comments>
		</item>
		<item>
		<title>11 Important DAW Maintenance Tips</title>
		<link>http://thestereobus.com/2008/02/26/11-important-daw-maintenance-tips/</link>
		<comments>http://thestereobus.com/2008/02/26/11-important-daw-maintenance-tips/#comments</comments>
		<pubDate>Wed, 27 Feb 2008 03:03:52 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[DAWs]]></category>
		<category><![CDATA[Maintenance]]></category>
		<category><![CDATA[computer]]></category>
		<category><![CDATA[daw]]></category>
		<category><![CDATA[disk]]></category>
		<category><![CDATA[dust]]></category>
		<category><![CDATA[EXT3]]></category>
		<category><![CDATA[FAT32]]></category>
		<category><![CDATA[HFS+]]></category>
		<category><![CDATA[hot]]></category>
		<category><![CDATA[linux]]></category>
		<category><![CDATA[mainttenance]]></category>
		<category><![CDATA[memory]]></category>
		<category><![CDATA[NTFS]]></category>
		<category><![CDATA[OSX]]></category>
		<category><![CDATA[power]]></category>
		<category><![CDATA[programs]]></category>
		<category><![CDATA[RAM]]></category>
		<category><![CDATA[shutdown]]></category>
		<category><![CDATA[slow]]></category>
		<category><![CDATA[space]]></category>
		<category><![CDATA[stability]]></category>
		<category><![CDATA[uninstall]]></category>
		<category><![CDATA[updates]]></category>
		<category><![CDATA[UPS]]></category>
		<category><![CDATA[virtual]]></category>
		<category><![CDATA[windows]]></category>

		<guid isPermaLink="false">http://thestereobus.com/2008/02/26/11-important-daw-maintenance-tips/</guid>
		<description><![CDATA[This post focuses on some basic techniques for keeping your DAW running in primo shape. It&#8217;s easy to take our computers for granted, but sometimes it seems like if you turn your back for a moment, your computer will destroy itself. The reality is that computers are incredibly complex machines and that small, day to [...]]]></description>
		<wfw:commentRss>http://thestereobus.com/2008/02/26/11-important-daw-maintenance-tips/feed/</wfw:commentRss>
		<slash:comments>5</slash:comments>
		</item>
		<item>
		<title>Monitoring Diversity for Better Mixes</title>
		<link>http://thestereobus.com/2008/02/25/monitoring-diversity-for-better-mixes/</link>
		<comments>http://thestereobus.com/2008/02/25/monitoring-diversity-for-better-mixes/#comments</comments>
		<pubDate>Mon, 25 Feb 2008 23:57:54 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[Mixing]]></category>
		<category><![CDATA[Speakers]]></category>
		<category><![CDATA[big]]></category>
		<category><![CDATA[boombox]]></category>
		<category><![CDATA[car]]></category>
		<category><![CDATA[farfields]]></category>
		<category><![CDATA[knob]]></category>
		<category><![CDATA[mackie]]></category>
		<category><![CDATA[midfields]]></category>
		<category><![CDATA[monitoring]]></category>
		<category><![CDATA[monitors]]></category>
		<category><![CDATA[nearfields]]></category>
		<category><![CDATA[speakers]]></category>
		<category><![CDATA[stereo]]></category>
		<category><![CDATA[studio]]></category>

		<guid isPermaLink="false">http://thestereobus.com/2008/02/25/monitoring-diversity-for-better-mixes/</guid>
		<description><![CDATA[This post focuses on how monitoring with different kinds of speakers will help you achieve better mixes. One of the things that sets professional studios apart from hobbyist studios is their collection of monitors.  Most studios have at least a couple pairs of monitors, from nearfields to farfields.  Many have boomboxes and &#8216;hi-fi&#8217; stereos to [...]]]></description>
		<wfw:commentRss>http://thestereobus.com/2008/02/25/monitoring-diversity-for-better-mixes/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
	</channel>
</rss>

