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	<title>Music Production Tips - The Stereo Bus Blog &#187; Workflows</title>
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	<link>http://thestereobus.com</link>
	<description>Music production, pro audio and engineering tips &#38; secrets.</description>
	<lastBuildDate>Mon, 30 Apr 2012 05:04:22 +0000</lastBuildDate>
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		<title>Steve Albini Dishes on His Approach to Recording Drums</title>
		<link>http://thestereobus.com/2012/04/29/steve-albini-dishes-on-his-approach-to-recording-drums/</link>
		<comments>http://thestereobus.com/2012/04/29/steve-albini-dishes-on-his-approach-to-recording-drums/#comments</comments>
		<pubDate>Mon, 30 Apr 2012 04:56:59 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[Drums]]></category>
		<category><![CDATA[Tracking]]></category>
		<category><![CDATA[drums]]></category>
		<category><![CDATA[physics]]></category>
		<category><![CDATA[steve albini]]></category>
		<category><![CDATA[tracking]]></category>

		<guid isPermaLink="false">http://thestereobus.com/?p=486</guid>
		<description><![CDATA[Albini's beautifully opinionated approach to recording is perhaps most evident recording drums, capturing the instrument in an authentic way.]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Mic Placement for Metal Guitar (Video)</title>
		<link>http://thestereobus.com/2012/04/15/mic-placement-for-metal-guitar-video/</link>
		<comments>http://thestereobus.com/2012/04/15/mic-placement-for-metal-guitar-video/#comments</comments>
		<pubDate>Sun, 15 Apr 2012 23:56:29 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[Microphones]]></category>
		<category><![CDATA[Placement]]></category>
		<category><![CDATA[Tracking]]></category>
		<category><![CDATA[diesel]]></category>
		<category><![CDATA[maxon]]></category>
		<category><![CDATA[metal]]></category>
		<category><![CDATA[mic]]></category>
		<category><![CDATA[placement]]></category>
		<category><![CDATA[video]]></category>

		<guid isPermaLink="false">http://thestereobus.com/?p=480</guid>
		<description><![CDATA[A brilliant video on mic placement &#038; axis positioning for recording metal guitars.]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Mixing with Headphones: Avoiding Disaster</title>
		<link>http://thestereobus.com/2012/03/26/mixing-with-headphones-avoiding-disaster/</link>
		<comments>http://thestereobus.com/2012/03/26/mixing-with-headphones-avoiding-disaster/#comments</comments>
		<pubDate>Tue, 27 Mar 2012 02:17:32 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[Headphones]]></category>
		<category><![CDATA[Mixing]]></category>
		<category><![CDATA[headphones]]></category>
		<category><![CDATA[mixing]]></category>
		<category><![CDATA[tips]]></category>

		<guid isPermaLink="false">http://thestereobus.com/?p=473</guid>
		<description><![CDATA[If you absolutely must mix with headphones, here are some tips to help avoid the biggest mistakes people make.]]></description>
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		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>The Importance of a Great Mixdown Before Mastering.</title>
		<link>http://thestereobus.com/2011/12/15/the-importance-of-a-great-mixdown-before-mastering/</link>
		<comments>http://thestereobus.com/2011/12/15/the-importance-of-a-great-mixdown-before-mastering/#comments</comments>
		<pubDate>Fri, 16 Dec 2011 04:16:14 +0000</pubDate>
		<dc:creator>Barry Gardner</dc:creator>
				<category><![CDATA[Mastering]]></category>
		<category><![CDATA[Mixing]]></category>
		<category><![CDATA[mastering]]></category>
		<category><![CDATA[mix]]></category>
		<category><![CDATA[mixdown]]></category>

		<guid isPermaLink="false">http://thestereobus.com/?p=458</guid>
		<description><![CDATA[In an ideal world once music has been mixed it would simply be committed to cd or uploaded ready for distribution. In some rare occasions this does happen, though it is fairly uncommon.]]></description>
		<wfw:commentRss>http://thestereobus.com/2011/12/15/the-importance-of-a-great-mixdown-before-mastering/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>How to Bounce or Consolidate Tracks for Archiving or Mixing</title>
		<link>http://thestereobus.com/2011/09/25/how-to-bounce-or-consolidate-tracks-for-archiving-or-mixing/</link>
		<comments>http://thestereobus.com/2011/09/25/how-to-bounce-or-consolidate-tracks-for-archiving-or-mixing/#comments</comments>
		<pubDate>Mon, 26 Sep 2011 02:50:13 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[Archving]]></category>
		<category><![CDATA[DAWs]]></category>

		<guid isPermaLink="false">http://thestereobus.com/?p=160</guid>
		<description><![CDATA[One of the worst things to happen, in my opinion, is to have material locked in a particular proprietary DAW format.  Most DAW software stores its session data in non-interchangeable formats that can only be opened by that particular DAW package.  It gets worse when you factor in version changes.  Most software is designed to [...]]]></description>
		<wfw:commentRss>http://thestereobus.com/2011/09/25/how-to-bounce-or-consolidate-tracks-for-archiving-or-mixing/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Hammond B3 and Leslie Recording Techniques</title>
		<link>http://thestereobus.com/2011/09/16/hammond-b3-and-leslie-recording-techniques/</link>
		<comments>http://thestereobus.com/2011/09/16/hammond-b3-and-leslie-recording-techniques/#comments</comments>
		<pubDate>Fri, 16 Sep 2011 06:03:09 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[Hammond B3]]></category>
		<category><![CDATA[Leslie Speakers]]></category>
		<category><![CDATA[Mixing]]></category>
		<category><![CDATA[Tracking]]></category>
		<category><![CDATA[b3]]></category>
		<category><![CDATA[hammond]]></category>
		<category><![CDATA[leslie]]></category>
		<category><![CDATA[miking]]></category>
		<category><![CDATA[mixing]]></category>
		<category><![CDATA[tracking]]></category>

		<guid isPermaLink="false">http://thestereobus.com/?p=283</guid>
		<description><![CDATA[One of the most challenging and unique contemporary instruments that you&#8217;ll encounter working in professional studios is the Hammond B3 Organ and Lesie Cabinet combination. A prolific, immediately recognizable sound that is very difficult to reproduce without the real deal, the warm tone bars of the Hammond combine with the tube saturation and modulation effects [...]]]></description>
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		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Mono Sources in a Stereo World &#8211; Michael Franti @ RNC</title>
		<link>http://thestereobus.com/2009/07/14/mono-sources-in-a-stereo-world-michael-franti-rnc/</link>
		<comments>http://thestereobus.com/2009/07/14/mono-sources-in-a-stereo-world-michael-franti-rnc/#comments</comments>
		<pubDate>Tue, 14 Jul 2009 22:04:21 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[Delay]]></category>
		<category><![CDATA[Effects]]></category>
		<category><![CDATA[Restoration]]></category>
		<category><![CDATA[Reverb]]></category>
		<category><![CDATA[compression]]></category>
		<category><![CDATA[deesser]]></category>
		<category><![CDATA[fairchild]]></category>
		<category><![CDATA[IR-1]]></category>
		<category><![CDATA[massive passive]]></category>
		<category><![CDATA[michael franti]]></category>
		<category><![CDATA[mono]]></category>
		<category><![CDATA[reverb]]></category>
		<category><![CDATA[rnc]]></category>
		<category><![CDATA[stereo]]></category>
		<category><![CDATA[waves]]></category>

		<guid isPermaLink="false">http://thestereobus.com/?p=203</guid>
		<description><![CDATA[Recently I was hired to finesse a rather rough live recording of Michael Franti&#8216;s performance at the protest concert outside the Republican National Convention in 2008.  The recording was done with a pair of shotgun mics placed fairly close to each other. In fact, the recording was essentially mono &#8211; probably because of the mic [...]]]></description>
		<wfw:commentRss>http://thestereobus.com/2009/07/14/mono-sources-in-a-stereo-world-michael-franti-rnc/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Mastering Session at Rare Form Mastering</title>
		<link>http://thestereobus.com/2008/11/03/mastering-session-at-rare-form-mastering/</link>
		<comments>http://thestereobus.com/2008/11/03/mastering-session-at-rare-form-mastering/#comments</comments>
		<pubDate>Tue, 04 Nov 2008 04:41:46 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[Mastering]]></category>
		<category><![CDATA[compression]]></category>
		<category><![CDATA[greg reierson]]></category>
		<category><![CDATA[limiting]]></category>
		<category><![CDATA[love & affection]]></category>
		<category><![CDATA[mastering]]></category>
		<category><![CDATA[presence]]></category>
		<category><![CDATA[rare form mastering]]></category>
		<category><![CDATA[requisite audio]]></category>
		<category><![CDATA[tube]]></category>
		<category><![CDATA[waves]]></category>
		<category><![CDATA[z-systems]]></category>

		<guid isPermaLink="false">http://thestereobus.com/?p=129</guid>
		<description><![CDATA[This post is about the mastering process for my latest EP.  The session was booked at Minneapolis&#8217; Rare Form Mastering.  Greg Reierson took the helm and did a really solid job overall. First of all, I&#8217;m not the sort of producer who does mastering the same way for each album.  For my own material, I [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Mastering Experiment: &#8220;But They Do&#8221; with the Focusrite Liquid Mix</title>
		<link>http://thestereobus.com/2008/03/08/mastering-experiment-but-they-do-with-the-focusrite-liquid-mix/</link>
		<comments>http://thestereobus.com/2008/03/08/mastering-experiment-but-they-do-with-the-focusrite-liquid-mix/#comments</comments>
		<pubDate>Sun, 09 Mar 2008 05:30:38 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[Mastering]]></category>
		<category><![CDATA[challenge]]></category>
		<category><![CDATA[clipping]]></category>
		<category><![CDATA[compression]]></category>
		<category><![CDATA[Cubase]]></category>
		<category><![CDATA[drums]]></category>
		<category><![CDATA[experiment]]></category>
		<category><![CDATA[focusrite]]></category>
		<category><![CDATA[izotope]]></category>
		<category><![CDATA[lca-2b]]></category>
		<category><![CDATA[levels]]></category>
		<category><![CDATA[limiting]]></category>
		<category><![CDATA[liquid]]></category>
		<category><![CDATA[ludwig]]></category>
		<category><![CDATA[manley]]></category>
		<category><![CDATA[mastering]]></category>
		<category><![CDATA[mix]]></category>
		<category><![CDATA[mu]]></category>
		<category><![CDATA[ozone 3]]></category>
		<category><![CDATA[ratio]]></category>
		<category><![CDATA[strings]]></category>
		<category><![CDATA[tech]]></category>
		<category><![CDATA[tube]]></category>
		<category><![CDATA[variable]]></category>

		<guid isPermaLink="false">http://thestereobus.com/2008/03/08/mastering-experiment-but-they-do-with-the-focusrite-liquid-mix/</guid>
		<description><![CDATA[This post focuses on an experiment with my new Focusrite Liquid Mix, with which I mixed and mastered a song of mine that was in need of polishing. First of all, I will be out of town until the 19th&#8230; meaning that I won&#8217;t be making any posts here at TSB until then.  But, I [...]]]></description>
		<wfw:commentRss>http://thestereobus.com/2008/03/08/mastering-experiment-but-they-do-with-the-focusrite-liquid-mix/feed/</wfw:commentRss>
		<slash:comments>10</slash:comments>
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		</item>
		<item>
		<title>How to Group Tracks to Save DAW CPU</title>
		<link>http://thestereobus.com/2008/03/08/how-to-group-tracks-to-save-daw-cpu/</link>
		<comments>http://thestereobus.com/2008/03/08/how-to-group-tracks-to-save-daw-cpu/#comments</comments>
		<pubDate>Sat, 08 Mar 2008 13:30:56 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[DAWs]]></category>
		<category><![CDATA[Mixing]]></category>
		<category><![CDATA[blend]]></category>
		<category><![CDATA[compression]]></category>
		<category><![CDATA[CPU]]></category>
		<category><![CDATA[daw]]></category>
		<category><![CDATA[dsp]]></category>
		<category><![CDATA[eq]]></category>
		<category><![CDATA[glue]]></category>
		<category><![CDATA[group]]></category>
		<category><![CDATA[Pro Tools]]></category>
		<category><![CDATA[processor]]></category>
		<category><![CDATA[tracks]]></category>
		<category><![CDATA[vocal]]></category>

		<guid isPermaLink="false">http://thestereobus.com/2008/03/08/how-to-group-tracks-to-save-daw-cpu/</guid>
		<description><![CDATA[This post focuses on how to group tracks to save CPU or DSP processing. When I first started mixing using a computer, I would throw up inserts on everything.  Everything was processed independently.  As you might imagine, my mixes were insanely CPU intensive and hard to manage.  Soon I realized that many of the tracks [...]]]></description>
		<wfw:commentRss>http://thestereobus.com/2008/03/08/how-to-group-tracks-to-save-daw-cpu/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
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