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	<title>Music Production Tips - The Stereo Bus Blog &#187; digital sync</title>
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	<description>Music production, pro audio and engineering tips &#38; secrets.</description>
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		<title>Digital Sync: Masters, Slaves, Oh My.</title>
		<link>http://thestereobus.com/2008/01/30/digital-sync-masters-slaves-oh-my/</link>
		<comments>http://thestereobus.com/2008/01/30/digital-sync-masters-slaves-oh-my/#comments</comments>
		<pubDate>Thu, 31 Jan 2008 03:40:23 +0000</pubDate>
		<dc:creator>Dan Connor</dc:creator>
				<category><![CDATA[Intermediate]]></category>
		<category><![CDATA[digital sync]]></category>
		<category><![CDATA[aes/ebu]]></category>
		<category><![CDATA[apogee]]></category>
		<category><![CDATA[big ben]]></category>
		<category><![CDATA[clock]]></category>
		<category><![CDATA[devices]]></category>
		<category><![CDATA[digital]]></category>
		<category><![CDATA[pcm]]></category>
		<category><![CDATA[rate]]></category>
		<category><![CDATA[sdpif]]></category>
		<category><![CDATA[sync]]></category>
		<category><![CDATA[timeclock]]></category>

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		<description><![CDATA[This post focuses on digital sync between PCM digital audio devices. Digital has been marketed and is generally understood to be bit-for-bit perfect, resilient to noise, and able to be copied infinitely without any reduction of quality. This is true&#8230; to a point. Digital audio is essentially data, reinterpreted as audible information. But, underneath all [...]]]></description>
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