Archive for the ‘Concepts’ Category

Mic Placement for Metal Guitar (Video)

April 15, 2012 Microphones, Placement, Tracking

A brilliant video on mic placement & axis positioning for recording metal guitars.

Read More »

Why 24/192 HD Audio Distribution Does More Harm Than Good

March 6, 2012 Sample Rates

Today I read an excellent writeup on the tribulations of distributing music at “HD” quality like 192khz/24bit. In his writeup he goes over some of the very things I’ve brought up in the past: harmonic distortion introduced by ultrasonic frequencies, storage considerations, and the extremely well-documented limits to human hearing. Christopher “Monty” Montgomery, an expert [...]

Read More »

Kanye West: An Inspiring Look at Recontextualizing with Samples

October 19, 2011 Sampling

Love him or hate him, Kanye West does a great job of making catchy songs from classic samples. For me, being primarily a rock producer, I often neglect the inspiring sounding board that an excellent sample can be. This video demonstrates the original samples used in some of Kanye West’s hits both in their original [...]

Read More »

DIY Acoustic Panel Bass Traps: Treating Your Room Right

July 26, 2011 Acoustics, DIY

Build super-effective DIY bass traps acoustic treatments for around $75 a panel.

Read More »

Visual Analogy to High Definition Sample Rate Conversion

January 2, 2010 Sample Rates

I’ve been working pretty much exclusively at 24-bit/44.1khz but now DAWs are fast enough and hard drives are cheap enough that there’s no good reason not to step it up. 192khz is simply overkill. Most DACs simply upsample to achieve that rate and response can actually be poorer as a result. This leaves the choice between 96khz and 88.2khz.

Read More »

Mono Sources in a Stereo World – Michael Franti @ RNC

July 14, 2009 Delay, Effects, Restoration, Reverb

Recently I was hired to finesse a rather rough live recording of Michael Franti‘s performance at the protest concert outside the Republican National Convention in 2008.  The recording was done with a pair of shotgun mics placed fairly close to each other.

Read More »

Review: Ohm Force Ohmicide Distortion Plugin

May 6, 2009 Distortion, Plugins

Last post I took some time to write up a review for Ohm Force‘s Symptohm synthesizer.  This time around I’ll be looking at their Ohmicide multiband distortion plugin.  I’m a sucker for distortions and was pretty excited to give it a spin.

Read More »

How Do I Get My Songs to Play at the Same Volume?

February 11, 2009 Software, Volume

This article isn’t about mastering a CD so that the songs are all at the same perceived volume, it’s about getting your music collection to play back at reasonable volumes relative to each other.  It’s also about providing this feature to your digital distribution customers. I’m sure you’ve at some point put your music collection [...]

Read More »

How to Use Visual Audio Analyzers and Scopes

March 4, 2008 Plugins, Visualization

This post focuses on ways to use visual audio scopes to gain more understanding about what’s going on in your audio. It’s important to state right off the bat that working with audio should primarily be an auditory experience.  In general people won’t be looking at visual representations of audio as much as they will [...]

Read More »

How to Use Analog Tape as an Effect

March 3, 2008 Tape Machines, Tape Saturation

This post focuses on the use of analog tape’s warm, unique compression as an effect. When engineers and producers started to make the switch from analog to digital, they found that digital was not only cleaner sound, but it was also somewhat unforgiving.  Most producers were quite fond of ‘driving’ the tape a bit by [...]

Read More »
Designed by WPZOOM