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	<title>Comments on: The Art of Comping: Creating Master Performances</title>
	<atom:link href="http://thestereobus.com/2008/02/23/the-art-of-comping-creating-master-performances/feed/" rel="self" type="application/rss+xml" />
	<link>http://thestereobus.com/2008/02/23/the-art-of-comping-creating-master-performances/</link>
	<description>Music production, pro audio and engineering tips &#38; secrets.</description>
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		<title>By: Keith Handy</title>
		<link>http://thestereobus.com/2008/02/23/the-art-of-comping-creating-master-performances/comment-page-1/#comment-93</link>
		<dc:creator>Keith Handy</dc:creator>
		<pubDate>Sun, 24 Feb 2008 18:13:56 +0000</pubDate>
		<guid isPermaLink="false">http://thestereobus.com/2008/02/23/the-art-of-comping-creating-master-performances/#comment-93</guid>
		<description>P.S. I like to get my compositing taken care of immediately after recording the takes, so I can delete the mediocre stuff before it gets a chance to feel like it has any historical significance.

Yes, I realize it&#039;s arrogant to feel like my mediocre takes become &quot;historically significant&quot;.  That&#039;s why I try to get rid of them as quickly as possible.</description>
		<content:encoded><![CDATA[<p>P.S. I like to get my compositing taken care of immediately after recording the takes, so I can delete the mediocre stuff before it gets a chance to feel like it has any historical significance.</p>
<p>Yes, I realize it&#8217;s arrogant to feel like my mediocre takes become &#8220;historically significant&#8221;.  That&#8217;s why I try to get rid of them as quickly as possible.</p>
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		<title>By: Keith Handy</title>
		<link>http://thestereobus.com/2008/02/23/the-art-of-comping-creating-master-performances/comment-page-1/#comment-92</link>
		<dc:creator>Keith Handy</dc:creator>
		<pubDate>Sun, 24 Feb 2008 17:45:26 +0000</pubDate>
		<guid isPermaLink="false">http://thestereobus.com/2008/02/23/the-art-of-comping-creating-master-performances/#comment-92</guid>
		<description>You mean it&#039;s possible to record tracks &lt;i&gt;without&lt;/i&gt; doing this?? ;)

One thing I like about &quot;comping&quot;, which I haven&#039;t heard it called before (assuming in this case it&#039;s short for compositing?), is that it takes a lot of pressure off me while actually performing, because I can&#039;t really &quot;ruin&quot; a take.  I can try to hit difficult notes, etc. -- and if I hit them, great, and if not, who cares.  :)</description>
		<content:encoded><![CDATA[<p>You mean it&#8217;s possible to record tracks <i>without</i> doing this?? ;)</p>
<p>One thing I like about &#8220;comping&#8221;, which I haven&#8217;t heard it called before (assuming in this case it&#8217;s short for compositing?), is that it takes a lot of pressure off me while actually performing, because I can&#8217;t really &#8220;ruin&#8221; a take.  I can try to hit difficult notes, etc. &#8212; and if I hit them, great, and if not, who cares.  :)</p>
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		<title>By: Kristie</title>
		<link>http://thestereobus.com/2008/02/23/the-art-of-comping-creating-master-performances/comment-page-1/#comment-91</link>
		<dc:creator>Kristie</dc:creator>
		<pubDate>Sun, 24 Feb 2008 02:07:47 +0000</pubDate>
		<guid isPermaLink="false">http://thestereobus.com/2008/02/23/the-art-of-comping-creating-master-performances/#comment-91</guid>
		<description>Oh, never mind, I just refreshed your page and now it&#039;s come right.  :D  Ignore me, just being blonde ;)</description>
		<content:encoded><![CDATA[<p>Oh, never mind, I just refreshed your page and now it&#8217;s come right.  :D  Ignore me, just being blonde ;)</p>
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		<title>By: Kristie</title>
		<link>http://thestereobus.com/2008/02/23/the-art-of-comping-creating-master-performances/comment-page-1/#comment-90</link>
		<dc:creator>Kristie</dc:creator>
		<pubDate>Sun, 24 Feb 2008 02:06:39 +0000</pubDate>
		<guid isPermaLink="false">http://thestereobus.com/2008/02/23/the-art-of-comping-creating-master-performances/#comment-90</guid>
		<description>Hah, I can&#039;t read what I&#039;m writing when I type in comments either.  It looks to be black text on a dark dark grey background lol.  Suppose I could have mentioned it weeks ago.....  

I think, it&#039;s actually worse now, did you make the background darker?

:D</description>
		<content:encoded><![CDATA[<p>Hah, I can&#8217;t read what I&#8217;m writing when I type in comments either.  It looks to be black text on a dark dark grey background lol.  Suppose I could have mentioned it weeks ago&#8230;..  </p>
<p>I think, it&#8217;s actually worse now, did you make the background darker?</p>
<p>:D</p>
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		<title>By: Dan Connor</title>
		<link>http://thestereobus.com/2008/02/23/the-art-of-comping-creating-master-performances/comment-page-1/#comment-89</link>
		<dc:creator>Dan Connor</dc:creator>
		<pubDate>Sun, 24 Feb 2008 01:47:02 +0000</pubDate>
		<guid isPermaLink="false">http://thestereobus.com/2008/02/23/the-art-of-comping-creating-master-performances/#comment-89</guid>
		<description>Joga - I know!  One of my favorite Zappa tunes is Yo Mama where he did that, I believe.  Oh, and thanks to you I increased the contrast in the comment field from the insane default for this template.  Hope it helped.</description>
		<content:encoded><![CDATA[<p>Joga &#8211; I know!  One of my favorite Zappa tunes is Yo Mama where he did that, I believe.  Oh, and thanks to you I increased the contrast in the comment field from the insane default for this template.  Hope it helped.</p>
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		<title>By: Joga Luce</title>
		<link>http://thestereobus.com/2008/02/23/the-art-of-comping-creating-master-performances/comment-page-1/#comment-88</link>
		<dc:creator>Joga Luce</dc:creator>
		<pubDate>Sat, 23 Feb 2008 23:34:03 +0000</pubDate>
		<guid isPermaLink="false">http://thestereobus.com/2008/02/23/the-art-of-comping-creating-master-performances/#comment-88</guid>
		<description>Zappa was very fond of comping, splicing live and studio things together and recording as much separate data as possible. Pretty incredible results for the technological limits of the day.</description>
		<content:encoded><![CDATA[<p>Zappa was very fond of comping, splicing live and studio things together and recording as much separate data as possible. Pretty incredible results for the technological limits of the day.</p>
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